Undetectable very-low frequency sound increases dancing at a live concert

Cameron, Daniel J.; Dotov, Dobromir; Flaten, Erica; Bosnyak, Daniel J.; Hove, Michael J.; Trainor, Laurel J.

doi:10.1016/j.cub.2022.09.035

Cited by 22 publications

(10 citation statements)

References 6 publications

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“…Other objective contexts of groove terms include instruments (drums, bass), rhythmic patterns (shuffle), and aesthetic qualities (mellow, smooth, pocket, tight). These contexts coincide with research discussing how a groove is indeed commonly shaped by drums and bass (Butterfield, 2010;Keil, 1995;Pressing, 2002), and how tactile information from bass and sub-bass frequencies can promote the experience of groove (Hove et al, 2020;Cameron et al, 2022). Following Câmara and Danielsen (2020), the rhythmic and aesthetic contexts also point out a limitation of approaches that define groove as a basic rhythmic structure: descriptions of the rhythmic pattern itself and the way in which the pattern is played cannot be disentangled.…”

Section: Groove As An Objective Qualitymentioning

confidence: 60%

A text mining approach to the use of "groove" in everyday language

Stupacher¹,

Bechtold²,

Senn³

2022

Preprint

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When speaking about music, the term groove can refer to objective qualities, such as specific rhythmical patterns in certain genres, or to subjective experiences, such as the pleasurable urge to move to the music. The mere juxtaposition of objective musical causes and subjective psychological effects may, however, be too simplistic to fully capture the complex and multifaceted groove phenomenon. One way to broaden the perspective of groove research is to analyze how people use the term groove in everyday language. We therefore employed a text-mining approach with theme searches and sentiment analyses of 970,220 comments on 155 music videos on YouTube. The corresponding songs were previously rated on groove, operationalized as pleasurable urge to move (Senn et al., 2021, Musicae Scientiae, 25). Results show that groove terms were more likely to be used in comments on songs that received higher groove ratings, indicating that the use of groove in everyday language and experiencing an urge to move are positively related. Resonating with the definition of groove as pleasurable urge to move, groove terms were very likely to co-occur with movement terms, and comments mentioning groove expressed more positive sentiments. We also found that groove terms were predominantly used to describe objective musical qualities in comments on funk, soul, and R&B songs, suggesting that the use of groove is related to genre. In general, we demonstrate how text mining can be used to review existing definitions and gain new perspectives on current topics in music science.

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Section: Groove As An Objective Qualitymentioning

confidence: 60%

A text mining approach to the use of "groove" in everyday language

Stupacher¹,

Bechtold²,

Senn³

2022

Preprint

View full text Add to dashboard Cite

show abstract

“…Other objective contexts of groove terms include instruments (drums, bass), rhythmic patterns (shuffle), and aesthetic qualities (mellow, smooth, pocket, tight). These contexts coincide with research discussing how a groove is indeed commonly shaped by drums and bass (Butterfield, 2010;Keil, 1995;Pressing, 2002), and how tactile information from bass and sub-bass frequencies can promote the experience of groove (Cameron et al, 2022;Hove et al, 2020). Following Câmara and Danielsen (2020), the rhythmic and aesthetic contexts also point out a limitation of approaches that define groove as a basic rhythmic structure: descriptions of the rhythmic pattern itself and the way in which the pattern is played cannot be disentangled.…”

Section: Groove As An Objective Qualitymentioning

confidence: 63%

A text mining approach to the use of “groove” in everyday language

Stupacher,

Bechtold,

Senn

2023

Psychology of Music

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When speaking about music, the term groove can refer to objective qualities, such as rhythmic patterns, or to subjective experiences, such as the pleasurable urge to move to the music. However, the mere juxtaposition of objective musical causes and subjective psychological effects may be too simplistic to fully capture the multifaceted groove phenomenon. We therefore broaden the perspective of groove research by analyzing how people use the term groove in the everyday language of 970,220 comments on 155 YouTube music videos. The corresponding songs were previously rated on groove, operationalized as a pleasurable urge to move. Results show that groove terms were more likely to be used in comments on songs that received higher groove ratings. Resonating with the definition of groove as a pleasurable urge to move, groove terms were very likely to co-occur with movement terms, and comments mentioning groove expressed more positive sentiments. We also found that groove terms were predominantly used to describe objective musical qualities in comments on funk, soul, and R&B songs, suggesting that the use of groove is related to genre. In general, we demonstrate how text mining can be used to review existing definitions and gain new perspectives on current topics in music science.

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“…Although different to hierarchical temporal structure in brain and music, multiscale organisations in the spectral or frequency domains are intimately dependent on the temporal organisations we have been considering. Low frequencies that are not overtly perceived by the listener can be seen to still influence activity in the motor system and are taken as evidence for the fundamental role played by the vestibular system for rhythm perception [32]. Further, different organisations of metric levels have a causal influence on specific body sway movements when listening.…”

Section: Hierarchical Temporal Structurementioning

confidence: 99%

Multiscale Approaches to Music and the Embodied Brain

Waddington¹,

Balasubramaniam²

2023

Preprint

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A wide body of research is currently being devoted to investigating the multiscale processesacross the brain and body, and the nature of their interactions. The purpose of this paper is tosupplement these analyses of brain and body dynamics by paying particular attention to themultiscale organisations also found in music, and ways in which these systems interact. Weproceed in identifying scaling laws as a signature for multiscale features of a system and makethe methodological choice of distinguishing scale free structure from scale free dynamics. Wefollow these distinctions in demonstrating how specifically (i) hierarchical temporal structures,(ii) long-range temporal correlations, and (iii) musical information as scale free structures, relateto activity in the brain and body at various temporal or spatial scales during music perception andperformance. Further, this is paralleled in the in the following scale free dynamics of choice,namely, (iv) resonance and entrainment, (v) power law distributions, and (vi) 1/f scaling. Thoughthe ubiquitous scaling relations across musical activities, performance and music itself touch onthe theme of universality, we outline how differing theoretical proposals arise in such contexts.Using these examples, we identify their overlap and divergence, and propose future directionsfor inquiry along these lines

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Undetectable very-low frequency sound increases dancing at a live concert

Cited by 22 publications

References 6 publications

A text mining approach to the use of "groove" in everyday language

A text mining approach to the use of "groove" in everyday language

A text mining approach to the use of “groove” in everyday language

Multiscale Approaches to Music and the Embodied Brain

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