2016
DOI: 10.1080/23337486.2016.1178493
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Unknowing the unknowable. From ‘critical war studies’ to a critique of war

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Cited by 4 publications
(3 citation statements)
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“…The conceptual framework of dis/appearances provides a structure for systematic and detailed examination of the representation of violence; the complementary model of analytical questions (see Figure 1) together with the empirical illustration further explicate how one may make use of the three combined concepts. Yet besides offering a framework for the classification of narrative themes and fragments, the conceptualization of dis/appearances also serves as a starting point for critically examining the frames of intelligibility that narratives on war and violence generally create; it encourages a critical engagement with the representation of war and violence with a mind to the regimes of truth that war produces and its reconfigurations of knowledge (see Barkawi and Brighton 2011;von Boemcken 2016). In contrast to the literature on strategic narratives, which tends to focus on the role of narratives in mobilizing public support (e.g.…”
Section: Introductionmentioning
confidence: 99%
“…The conceptual framework of dis/appearances provides a structure for systematic and detailed examination of the representation of violence; the complementary model of analytical questions (see Figure 1) together with the empirical illustration further explicate how one may make use of the three combined concepts. Yet besides offering a framework for the classification of narrative themes and fragments, the conceptualization of dis/appearances also serves as a starting point for critically examining the frames of intelligibility that narratives on war and violence generally create; it encourages a critical engagement with the representation of war and violence with a mind to the regimes of truth that war produces and its reconfigurations of knowledge (see Barkawi and Brighton 2011;von Boemcken 2016). In contrast to the literature on strategic narratives, which tends to focus on the role of narratives in mobilizing public support (e.g.…”
Section: Introductionmentioning
confidence: 99%
“…In fairness, Barkawi and Brighton (2011: 133) gesture towards this in acknowledging ‘war’s recalcitrance as an object of knowledge’ and allowing for war to unmake any truth. Yet they seem unwilling to embrace the full force of their own insight, which Marc von Boemcken (2016: 239) ultimately declares: ‘even the statement that “war is fighting” may well be eventually undone by war. In a very fundamental manner, war escapes human intelligibility.’…”
Section: Introduction: the Mystery Of Warmentioning
confidence: 99%
“…This isn't just a limitation of the scientific method but more deeply speaks to whether an ontology of war can be rendered transparent. 73 Investigations into the epistemology of lethality thus reveal something that is missing from literature on critical war studies. Brighton argues that war 'forces the unmaking and remaking of social and political meaning in ways that defy prediction'.…”
mentioning
confidence: 99%