2016
DOI: 10.1080/00856401.2016.1139029
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Urban Wallpaper: Film Posters, City Walls and the Cinematic Public in South Asia

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Cited by 6 publications
(7 citation statements)
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“…The presence of blank surfaces implies the conscious decision of the owner to maintain the boundary conditions in a desired manner, or neglect in realizing the unused potential of the boundary wall surfaces, whereas the presence of authorized and unauthorized surface uses implies the role of boundary wall surfaces as potential sites for public visibility. These results correspond with past studies which found that boundary wall "surfaceality" is a form of mediated interaction between people, content and space (Brighenti, 2009, p. 65;Hoek, 2016). In this regard, this study also reveals that the surface uses of boundary walls are not limited by ownership conditions, evident in the varying types of surface uses and their ownership status (Table 2).…”
Section: Surface Uses Of the Boundary Walls In Positive Space Typessupporting
confidence: 90%
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“…The presence of blank surfaces implies the conscious decision of the owner to maintain the boundary conditions in a desired manner, or neglect in realizing the unused potential of the boundary wall surfaces, whereas the presence of authorized and unauthorized surface uses implies the role of boundary wall surfaces as potential sites for public visibility. These results correspond with past studies which found that boundary wall "surfaceality" is a form of mediated interaction between people, content and space (Brighenti, 2009, p. 65;Hoek, 2016). In this regard, this study also reveals that the surface uses of boundary walls are not limited by ownership conditions, evident in the varying types of surface uses and their ownership status (Table 2).…”
Section: Surface Uses Of the Boundary Walls In Positive Space Typessupporting
confidence: 90%
“…The role of a wall negotiates between its physical qualities and affective qualities, the former to control and deter, whereas the latter creates possibilities for interaction and communication, which can be either encouraging or discouraging (Brighenti, 2009). Boundary walls possess the capacity to generate various visibilities, wherein their surfaces enable public address by means of posters, fliers, advertisements, political messages, and public art (Brighenti, 2009;Hoek, 2016). Apart from the significance of physical features and surface uses, Madanipour (2003, p. 56) states that the physical access and visual access conditions of boundary walls are essential attributes that are instrumental in "creating managed environments".…”
Section: Introductionmentioning
confidence: 99%
“…The presence of blank surfaces implies the conscious decision of the owner to maintain the boundary conditions in a desired manner, or neglect in realizing the unused potential of the boundary wall surfaces, whereas the presence of authorized and unauthorized surface uses implies role of boundary wall surfaces as potential sites for public visibility. These results correspond with past studies which found that boundary wall "surfaceality" is a form of mediated interaction between people, content and space (Brighenti, 2009, p. 65;Hoek, 2016). In this regard, this study also reveals that the surface uses of boundary walls are not limited by ownership conditions, evident in the varying types of surface uses and their ownership status (Table 2).…”
Section: Surface Uses Of the Boundary Walls In Positive Ambiguous Spa...supporting
confidence: 90%
“…By harping on the diversity within the vernacular field of political communication (which is itself an ignored arena of scholarship), I wish to engage with wall writings and floating words constituting an archive of contemporary aesthetics that is largely ignored and contested (for some exceptions see Chattopadhyay, 2012; Hoek, 2016). At times, in this domain, the experimentation with the form is embedded in the idea of resistance to authoritarian practices and institutions, and on other occasions, this archive leads us to the myriad ways in which the act of walking on the street orients our gaze.…”
Section: Impressionmentioning
confidence: 99%