“…Like Pippet, the purpose, as Meyerowitz saw it, was not to create craftsmen out of children, but rather "giving the children the opportunity to appreciate all these fine things, because they are learning the joy of making things -making things for themselves" and "to respect the beauty of the old traditional work" (Meyerowitz, 1942, p. 407). Meyerowitz was inspired by numerous sources: William Morris's sense of the possibility that labor could be pleasurable (Morris, 1973b); Bamako's Maison Artisanat, a craft center which introduced broadlooms and potters' wheels; and craft revivals in Sweden, Russia and Poland (Harrod, 1999).…”