2008
DOI: 10.5153/sro.1818
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Using a Head-Mounted Video Camera to Understand Social Worlds and Experiences

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Cited by 66 publications
(59 citation statements)
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“…In this project we were principally concerned with the in situ unfolding o f social action. So, following the work o f Laurier (2014;Laurier and Lorimer, 2012), Spinney (2010;), Brown et al (2008, and Mcllvenny (2013), we decided to use a video-based methodology. As such, this paper originates in the collection and analysis of just under eight hours o f video footage recorded during sixteen 'ride-alongs' (Spinney, 2011) with nine cyclists during June and July 2010.…”
Section: Methodology: How the Research Materials Was Producedmentioning
confidence: 99%
“…In this project we were principally concerned with the in situ unfolding o f social action. So, following the work o f Laurier (2014;Laurier and Lorimer, 2012), Spinney (2010;), Brown et al (2008, and Mcllvenny (2013), we decided to use a video-based methodology. As such, this paper originates in the collection and analysis of just under eight hours o f video footage recorded during sixteen 'ride-alongs' (Spinney, 2011) with nine cyclists during June and July 2010.…”
Section: Methodology: How the Research Materials Was Producedmentioning
confidence: 99%
“…One of the opportunities posed by research into mobilities is to engage with more mobile forms of data collection (Fincham, McGuinness and Murray 2010;Ricketts Hein, Evans and Jones 2008). Brown, Dilley and Marshall (2008), for example, have undertaken a highly innovative video ethnography approach riding along with mountain bikers engaged in leisure cycling. Through analysis of the videos, some of the micro-geographies and rhythms of different movements whilst biking could be explored (see also Brown and Spinney 2010).…”
Section: Methodsmentioning
confidence: 99%
“…Indeed, some have argued that however much implied or explicit freedom and flexibility there may be in a research project, material collected cannot be presented as solely the participant's own production of audio-visual knowledge. This is because researchers nearly always tend to control the conceptual framing of the work itself (Brown et al, 2008); that is, just because a researcher is not physically present, does not mean that he or she is absent from the scene (Pini, 2001). For instance, Cherrington and Watson (2010) in their study of college basketball players, as opposed to giving participants carte blanche, tried to achieve a balance between guidance and freedom in the production of video diaries.…”
Section: Why Video Diaries? a Contested Terrainmentioning
confidence: 99%