Using participatory video for co-production and collaborative research with refugees: critical reflections from the
            <i>Digital Place-makers</i>
            program

Sarria-Sanz, Camila; Alencar, Amanda; Verhoeven, Emma

doi:10.1080/17439884.2023.2166528

Cited by 9 publications

(1 citation statement)

References 30 publications

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“…Moreover, PF enables nonreading and non-written literacy in contexts where the participants use their second or third language. Similarly, it has been seen as a methodology aimed at regaining confidence and assertiveness among displaced people while learning new creative skills (Sarria-Sanz et al, 2023).…”

Section: Introductionmentioning

confidence: 99%

Doing Digital Migration Studies:

Leurs,

Ponzanesi

2024

Doing Digital Migration Studies

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ICT-based co-presence in transnational families and communities: challenging the premise of face-to-face proximity in sustaining relationships. Global Networks, 16(2), 133-144. Barad, K. (2007). Meeting the universe halfway. Duke University Press. Beck, U. (2016). The metamorphosis of the world: How climate change is transforming our world. Polity. Beck, U. (2010). The cosmopolitan manifesto. In G. Wallace Brown & D. Held (Eds.).The cosmopolitan reader (pp. 217-228). Polity Press.

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Section: Introductionmentioning

confidence: 99%

Doing Digital Migration Studies:

Leurs,

Ponzanesi

2024

Doing Digital Migration Studies

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Challenging Crimmigration Racialising Politics Through Co-creative Filmmaking with Migrant Sex Workers

Mai

2024

Crit Crim

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This article analyses how co-creative filmmaking with migrant sex workers challenges the racialised politics of representation and dynamics of crimmigration framing and intervening on them as either criminals or victims. The contribution will draw on two recent films I co-created with Latinx trans women and Chinese cis women living and working in New York and Paris, where sex work is criminalised directly (in the US) or by proxy (in France). The article will also explore how co-creative filmmaking can be a decolonial attempt to challenge the lingering coloniality characterising ethnographic documentaries within the limits posed by the power asymmetries embedded in filmmaking and research, and in relation to the ethical constraints posed by the stigmatisation and criminalisation of their protagonists and co-authors.

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Geometries of control: Co-producing knowledge in a refugee context

Dalrymple,

Irankunda

2024

Human Organization

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Using participatory video for co-production and collaborative research with refugees: critical reflections from the Digital Place-makers program

Cited by 9 publications

References 30 publications

Doing Digital Migration Studies:

Doing Digital Migration Studies:

Challenging Crimmigration Racialising Politics Through Co-creative Filmmaking with Migrant Sex Workers

Geometries of control: Co-producing knowledge in a refugee context

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