2005
DOI: 10.1353/lit.2005.0064
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Utopian Yearnings, Dystopian Thoughts: Houellebecq's The Elementary Particles and the Problem of Scientific Communitarianism

Abstract: In The Elementary Particles (Les particules élémentaires), his provocative, award-winning 1998 novel, Michel Houellebecq advances a bitter critique of liberal democracy and, in particular, of its economic and cultural forms, capitalism and advanced consumerism, before offering at novel's end a purported antidote to the "progressive decline and disintegration" that have marked Western civilization for a very long time. A powerful roman à thèse, Houellebecq's work mounts what is, finally, an ineffectual challeng… Show more

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Cited by 9 publications
(3 citation statements)
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“…One can fairly speculate that among Houellebecq ' s reasons for reiterating a transhumanist scenario quite similar to the one he had developed previously in Atomized was that many readers had erroneously understood the latter as a positive utopia (see e.g. Varsava 2005 ). Few readers will repeat this mistake with regard to Th e Possibility of an Island : the present and the future of the novel are, each in their own way, equally repugnant.…”
Section: A Gift One Cannot Rejectmentioning
confidence: 95%
“…One can fairly speculate that among Houellebecq ' s reasons for reiterating a transhumanist scenario quite similar to the one he had developed previously in Atomized was that many readers had erroneously understood the latter as a positive utopia (see e.g. Varsava 2005 ). Few readers will repeat this mistake with regard to Th e Possibility of an Island : the present and the future of the novel are, each in their own way, equally repugnant.…”
Section: A Gift One Cannot Rejectmentioning
confidence: 95%
“…Social forces rather than inner psychological properties explain human behavior in Houellebecq’s novels: “Like Zola, Houllebecq places his characters in certain social contexts and then portrays their reactions to various stimuli.” (Varsava, 2005: 153). This Comtean, behavioristic, and sociologizing perspective is not just Houellebecq’s own, as a writer, but is also conferred unto his characters in their interpersonal understandings that make them resemble the calculating, role-playing actors described in Goffman’s sociology, for example.…”
Section: Houellebecq’s Postmodern Confessionsmentioning
confidence: 99%
“…The "forces" alluded to here are Comtean laws of "social physics," governing human lives under conditions of advanced consumer capitalism (Varsava, 2005). So although Houellebecq is lyrical, he is willing to appeal to social science constructs such as social forces.…”
Section: Houellebecq's Lyrical Sociologymentioning
confidence: 99%