“…The Victorian type "tends to be more impersonal and less anguished and introverted than the Romantic self-chronicles" (DiBattista & Wittman, 2014, p. 10). It strives for objectivity without necessarily fully achieving it; for some Victorian writers unconsciously expound personal life through an oedipal crisis (like Darwin and Mill), while others manage to turn autobiographic content into philosophical and meditative contemplations (like Newman) (Nord, 2014). The modern form of the genre continues in the contemplative mode, abandons "the linear convention of narrative" (DiBattista & Wittman, 2014, p. 17), and authors become selective and subtle in expounding personal experience like Nabokov, who "does not tell the reader precisely what he has in mind, but a few elements [ultimately] present themselves quite clearly" to his readers (De La Durantaye, 2014, p. 176).…”