2022
DOI: 10.1676/21-00072
|View full text |Cite
|
Sign up to set email alerts
|

Video evidence of song in a nestling Yellow-rumped Tinkerbird (Pogoniulus bilineatus) supports innate song development in Piciformes

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
2
1
1
1

Citation Types

0
5
2

Year Published

2022
2022
2024
2024

Publication Types

Select...
3
2

Relationship

2
3

Authors

Journals

citations
Cited by 6 publications
(7 citation statements)
references
References 45 publications
0
5
2
Order By: Relevance
“…Isochrony, which has been identified in humans, non-human primates, songbirds, and bats 24,30,73 , is thought to facilitate acoustic coordination and processing, especially in vocal learners 24 . Tinkerbirds are not vocal learners 74 , but contrary to assertions that vocal nonlearners lack the ability to perceive isochronous rhythms 75 , our study suggests its perception 74 might have driven selection for rhythmic song components even in species with limited vocal flexibility. Indeed, although tinkerbirds do not duet, perception of rhythmic patterning is likely fundamental for duet coordination in confamilial species from independent clades within Lybiidae that perform highly coordinated multi-individual acoustic displays 36 .…”
Section: Discussioncontrasting
confidence: 99%
See 1 more Smart Citation
“…Isochrony, which has been identified in humans, non-human primates, songbirds, and bats 24,30,73 , is thought to facilitate acoustic coordination and processing, especially in vocal learners 24 . Tinkerbirds are not vocal learners 74 , but contrary to assertions that vocal nonlearners lack the ability to perceive isochronous rhythms 75 , our study suggests its perception 74 might have driven selection for rhythmic song components even in species with limited vocal flexibility. Indeed, although tinkerbirds do not duet, perception of rhythmic patterning is likely fundamental for duet coordination in confamilial species from independent clades within Lybiidae that perform highly coordinated multi-individual acoustic displays 36 .…”
Section: Discussioncontrasting
confidence: 99%
“…We hypothesized that because tinkerbirds develop their songs innately 74 , hybrids might be expected to share acoustic features of both parental species as a consequence of their admixed genomes, thus resulting in more temporally unstable songs. Pure ancestry individuals would thus sing less variable, more temporally consistent songs than hybrids.…”
Section: Methodsmentioning
confidence: 99%
“…We also found limited support for AAH, with an association of EVI with peak frequency in P. chrysoconus and P. pusillus, suggesting some adaptation of song pitch to habitat structure over a continental scale in these species with a wider ecological niche, from acacia savanna to dense forest, across the continent. Given the innate nature of tinkerbird song (Lukhele et al 2022), this result might suggest stronger environmental pressure on vocalization of birds with limited vocal flexibility, as proposed by other studies on birds that lack vocal learning (McCracken & Sheldon 1997;Bertelli & Tubaro 2002). Mikula et al (2021) focused on passerines, the vast majority of which develop songs through cultural learning, and that ability may obscure acoustic adaptation.…”
Section: Discussionmentioning
confidence: 89%
“…We also found limited support for AAH, with an association of EVI with peak frequency in P. chrysoconus and P. pusillus, suggesting some adaptation of song pitch to habitat structure over a continental scale in these species with a wider ecological niche, from acacia savanna to dense forest, across the continent. Given the innate nature of tinkerbird song (Lukhele et al, 2022), this result might suggest stronger environmental pressure on vocalisation of birds with limited vocal flexibility, as proposed by other studies on birds that lack vocal learning (Bertelli & Tubaro, 2002;McCracken & Sheldon, 1997). Mikula et al (2021) focused on passerines, the vast majority of which develop songs through cultural learning, and that ability may obscure acoustic adaptation.…”
Section: Estimatementioning
confidence: 89%