Virtual Historic Costume across Cultures and Disciplines

Martin, Kathi; Ko, Hyeong‐Seok

doi:10.1109/vsmm.2009.21

Cited by 10 publications

(6 citation statements)

References 4 publications

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“…In storage, clothing becomes inaccessible. Therefore, we urgently need a way to permanently preserve these finite objects of cultural heritage to vividly convey the subtleties of each era and culture (Martin & Ko, 2009). The technological innovation of digital costume has always been the focus of researchers in the academic sector.…”

Section: Digital Cultural Heritage Protection Of Traditional Costumesmentioning

confidence: 99%

“…The technological innovation of digital costume has always been the focus of researchers in the academic sector. For example, through 3D virtual simulation, previous studies have explored the possibility of digital technology in the reproduction of historical costumes (Kang et al, 2013(Kang et al, , 2015Martin & Ko, 2009).…”

Section: Digital Cultural Heritage Protection Of Traditional Costumesmentioning

confidence: 99%

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What Drives Users to Adopt a Digital Museum? A Case of Virtual Exhibition Hall of National Costume Museum

Jiang

Hui-e

2022

Sage Open

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The onset of technological innovations (mobile and handhelds, virtual reality, multi-touch screens, and interactive 3D) have provided creative ideas and perspectives for online communication, dissemination, and protection of cultural heritage for costume museums. Digital costume museums (DCM) digitized clothing collections for the Internet, conducive to enhancing visitors’ understanding, enjoyment, and positive attitudes and stimulating further learning, experience, and exploration. However, little attention has been paid to the influence and effects of these technologies on visitors’ experience toward digital costume museums. Improving users’ behavior intention and expanding the influence of digital costume museums are issues that need further discussion. In this study, we expand the technology acceptance model (TAM) by adding information quality and information richness as the system characteristics, constructing the research model, and 11 hypotheses of users’ behavior intention toward digital costume museums. Analysis of data collected from 265 costume-related respondents reveal that information quality (IQ) positively influences perceived convenience (PC) and perceived ease of use (PEOU), while information richness (IR) has a positive impact on perceived usefulness (PU) and perceived playfulness (PP). The finding also reveals that perceived usefulness (PU) and perceived playfulness (PP) are significant predictors of users’ behavior intention (BI) toward using digital costume museums. The research conclusion enriches academic theories and brings practical inspiration for managers, curators, and practitioners to construct and innovate digital costume museums.

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Section: Digital Cultural Heritage Protection Of Traditional Costumesmentioning

confidence: 99%

Section: Digital Cultural Heritage Protection Of Traditional Costumesmentioning

confidence: 99%

What Drives Users to Adopt a Digital Museum? A Case of Virtual Exhibition Hall of National Costume Museum

Jiang

Hui-e

2022

Sage Open

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“…Virtual reconstruction of an RH can be based on common principles created for historical clothes and developed by Kang et al (2013, 2014, 2015), Magnenat-Thalmann and Volino (2005), Yasseen et al (2013), Martin and Ko (2009) and Kuzmichev et al (2017). At the same time, all known methods of virtual reconstruction and try-on are based on the adequate pattern block, the body measurements and the body posture and the relationship between ones existing in the system “body-clothes.”…”

Section: Related Workmentioning

confidence: 99%

Research on 3D reconstruction of late Victorian riding skirts

Kuzmichev¹,

Moskvin

Moskvina

et al. 2018

IJCST

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Purpose Virtual design of contemporary and historical clothes is a very intensive and developing area of science that can be considered as a bridge between costume heritage and modern way of its presentation by means of CAD. The purpose of this paper is to apply 2D and 3D existing CAD for virtual reconstruction of the very specific kind of women’s clothes such as a side-saddle riding habit (RH) used in 1875–1915. Design/methodology/approach The construction of RH was adapted to the aesthetic rules of the mentioned time, ergonomic posture of a woman sitting on a horse, surface of the horse’s body which the woman is sitting on. For the new method, the huge databases were obtained after analyzing the historical pattern manuals and features of pattern blocks used, possible postures of riding, construction of RH and converting it into virtual system “avatar – RH.” To reconstruct the side-saddle RH in virtual reality, the images dated 1887 and authentic pattern blocks were used. Special attention has been given to the topology of contacting areas existing between the sitting woman and “shaped” riding skirt and to the method of presenting it by means of special points combination. Findings The authors have developed a new method of virtual reconstruction of an RH that is based on automatic consideration of all joining elements such as “shaped” riding skirt, avatar and its ergonomic posture. The new approach allows reconstruction of the clothes in virtual reality in three ways: by using the real skirts, the historical pattern blocks or pictures. Originality/value The results obtained allow increased possibilities of virtual reconstruction and include in the list new objects of engineering achievements of the nineteenth century such as the side-saddle RH. This study should help researchers and practical specialists to recreate and save the historical treasure in a digital way.

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“…It is possible to imagine much more elaborate representations. Martin and Ko describe a method for creating virtual people and dressing them in specific costumes (Martin & Ko, 2009). However, the extra effort in such procedures would mean that fewer items could be included, and acceptability of any system depends on having the items the users care about available in the database.…”

Section: Creating a 3d Representationmentioning

confidence: 99%

Context for costumes: faceted access to historic costumes

Kirkland

Lesk

Steffmann

2010

Electronic Workshops in Computing

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Historic costumes, like many other kinds of museum objects, benefit from remote access to imagery: they are fragile, widely scattered, and of interest to scholars who may not find it easy to visit every possible repository. Cataloguing them involves multiple facets. Researchers may be interested in organisation by purpose, material, period, designer, or construction, whereas original descriptions may focus on colour or size. Vocabulary may be either current ('blouse') or obsolete ('shirtwaist'). And, as usual, some users will be posing carefully phrased queries while others are in a browsing mode. In common with many museum areas, images are also essential for many users. We are also experimenting with context; many costume collections are relatively small, and provision of an expanded view of an area may assist users.

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Virtual Historic Costume across Cultures and Disciplines

Cited by 10 publications

References 4 publications

What Drives Users to Adopt a Digital Museum? A Case of Virtual Exhibition Hall of National Costume Museum

What Drives Users to Adopt a Digital Museum? A Case of Virtual Exhibition Hall of National Costume Museum

Research on 3D reconstruction of late Victorian riding skirts

Context for costumes: faceted access to historic costumes

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