Virtual museums. Captured reality and 3D modeling

Carvajal, Daniel Alejandro Loaiza; Morita, María Mercedes; Bilmes, Gabriel Mario

doi:10.1016/j.culher.2020.04.013

Cited by 99 publications

(30 citation statements)

References 7 publications

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“…In recent years, thanks to the integration of innovative tools and methods such as virtual reality (VR) and augmented reality (AR), it has been possible to go beyond the simple 2D and 3D representation of heritage buildings (Gironacci, 2020;Ioannides et al, 2017, Jang et al, 2021Jung et al, 2021, Loaiza et al, 2020: Trunfio et al, 2021Tucci et al, 2019). As anticipated in Section 5, this study proposes an additional solution to disseminating the tangible and intangible values of the church of St. Francesco.…”

Section: The Xr Project and The Virtual-visual Storytelling (Vvs) Of St Francesco Churchmentioning

confidence: 98%

Building archaeology informative modelling turned into 3D volume stratigraphy and extended reality time-lapse communication

Banfi

Brumana

Landi

et al. 2022

Virtual archaeol. rev.

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This paper describes the case study of the damaged church of St. Francesco in the hamlet of Arquata del Tronto (Italy) that was struck by the earthquake in 2016. The municipality commissioned the research to support the preliminary design of the preservation plan. The first digitisation level has been started from the richness of surveying data acquired from static and dynamic terrestrial laser scanning (TLS), and photogrammetry, overcoming challenging constraints due to the scaffolding covering the surfaces. The geometric survey allowed authors to acquire massively geometric and material information supporting the three-dimensional (3D) volume stratigraphic and the creation of the Heritage Building Information Modelling (HBIM). The paper proposes a shift from the Geographic Information System (GIS)-based analysis of the materials toward spatial HBIM management. Building Archaeology is turned into HBIM 3D volume stratigraphy, overcoming the bidimensional (2D) surface mapping, in favour of a 3D understanding of direct and indirect sources. Material mapping is added to HBIM 3D volume stratigraphy, and each stratigraphic unit (SU) has its proprieties. The 3D volume stratigraphic database has been designed to collect the data on the unit detection at three levels (direct sources data collection, indirect data documentation, the relation among the BIM object elements). A common data environment (CDE) has been set up to share the 3D volume informative models that can be accessed, and all the information gathered. The knowledge transfer using the eXtended reality (XR) has been devoted to the citizen and tourist fruition, enhancing the comprehension of difficult concepts like the SUs to support a better critical 3D reconstruction. It includes the phases of construction across time-lapse documentation that validates related information within the building archaeology informative models leaving spaces to the uncertainty and documenting the relationship established so far thanks to the direct and indirect sources. The result obtained is a live digital twin that can be continuously updated, which justifies the costs and time demanding of HBIM despite 2D drawings.Highlights: • 3D survey and scan-to-HBIM process for the creation of a digital twin were oriented to the preliminary design of the preservation plan of the church of St. Francesco in Arquata del Tronto (Italy). • Stratigraphy is investigated and oriented towards a digitisation process to share different levels of knowledge through new forms of digital-sharing such as Common Data Environment (CDE) and cloud-based BIM platform. • eXtended reality (XR) is the final tool to reach new levels of communication and a wider audience characterised by experts in the construction sector and virtual and non-expert tourists.

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Section: The Xr Project and The Virtual-visual Storytelling (Vvs) Of St Francesco Churchmentioning

confidence: 98%

Building archaeology informative modelling turned into 3D volume stratigraphy and extended reality time-lapse communication

Banfi

Brumana

Landi

et al. 2022

Virtual archaeol. rev.

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“…The growth of virtual technology, however, opens even more opportunities for virtual museums. For example, objects from multiple collections and even multiple museums can be combined into a virtual experience, without the limitations of physical infrastructure, thus giving users greater access to museum content (Besoain et al., 2021; Loaiza Carvajal et al., 2020). Moreover, the use of these technologies has shown that an immersive virtual environment impacts the user's motivation to physically visit a museum (Lee et al., 2020).…”

Section: The Body and Museums With Virtual Technologymentioning

confidence: 99%

A Bodies‐On Museum: The Transformation of Museum Embodiment through Virtual Technology

Wang

2022

Curator The Museum Journal

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All activities of the museum-exhibition, education, collection, research, and visitor services-involve the conceptualization of the body and technology related to the body. A museum's accumulated knowledge and its physical form involve not only various views of science and culture but also complementary binaries like inside/outside, collective/individual, and body/soul. The body represents an indispensable, constant, and important dimension in the museum. This paper examines future museum development trends that center on the body, presenting the fundamental role the body plays in museums. Starting from a consideration of how museums realize the presence of the body, this analysis continues through the historical and cultural practicality of physical objects, the social attributes of the body in the museum, and the transformation of presentday museums through virtual technology.Outstanding museums and exhibitions pay attention not only to knowledge curation but also to visitors' emotions and feelings. An unforgettable museum experience involves exploration and discovery which integrates the visitor's bodily movements, sensory experiences, associations, memories, and imagination, extending far beyond the information conveyed in the exhibition. Through embodied perception, the exhibition becomes a personal experience in which the exhibits become a part of the visitor. While attending to such needs, we must not stumble into the quagmire of "vulgarization" where the goal is to "show off technology" or "appropriate" Disney-style entertainment facilities. Instead, we can help visitors enjoy a sense of spiritual and rational beauty during a pleasant and enriching museum experience. When pursuing embodiment, museums should enable visitors to understand and appreciate the objects and content of the exhibitions while also providing an aesthetic education, knowledge dissemination, value formation, and a diversified perception of the world.

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“…The definition of these methods also required an in-depth study of computer programming, through which it was possible to develop not only sustainable application methods but digital tools capable of improving the level of automation of the scan-to-BIM process [ 47 , 48 , 49 ]. Thanks to previous studies, the case study of the Arco della Pace monument, its architectural, cultural, historical, and artistic complexities, have laid the foundations for proposing a method capable of going beyond what is defined today in the international panorama of digital cultural heritage [ 50 , 51 , 52 ].…”

Section: State Of the Artmentioning

confidence: 99%

Computer Vision Meets Image Processing and UAS PhotoGrammetric Data Integration: From HBIM to the eXtended Reality Project of Arco della Pace in Milan and Its Decorative Complexity

Banfi

Mandelli

2021

J. Imaging

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This study aims to enrich the knowledge of the monument Arco della Pace in Milan, surveying and modelling the sculpture that crowns the upper part of the building. The statues and the decorative apparatus are recorded with the photogrammetric technique using both a terrestrial camera and an Unmanned Aerial Vehicle (UAV). Research results and performance are oriented to improve computer vision and image processing integration with Unmanned Aerial System (UAS) photogrammetric data to enhance interactivity and information sharing between user and digital heritage models. The vast number of images captured from terrestrial and aerial photogrammetry will also permit to use of the Historic Building Information Modelling (HBIM) model in an eXtended Reality (XR) project developed ad-hoc, allowing different types of users (professionals, non-expert users, virtual tourists, and students) and devices (mobile phones, tablets, PCs, VR headsets) to access details and information that are not visible from the ground.

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Virtual museums. Captured reality and 3D modeling

Cited by 99 publications

References 7 publications

Building archaeology informative modelling turned into 3D volume stratigraphy and extended reality time-lapse communication

Building archaeology informative modelling turned into 3D volume stratigraphy and extended reality time-lapse communication

A Bodies‐On Museum: The Transformation of Museum Embodiment through Virtual Technology

Computer Vision Meets Image Processing and UAS PhotoGrammetric Data Integration: From HBIM to the eXtended Reality Project of Arco della Pace in Milan and Its Decorative Complexity

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