1991
DOI: 10.1121/1.400725
|View full text |Cite
|
Sign up to set email alerts
|

Virtual pitch and phase sensitivity of a computer model of the auditory periphery. I: Pitch identification

Abstract: Licklider [Expcrientia 7, 128-133 (1951 } ] presented a theory of pitch highlighting the role of auditory-nerve interspike-interval timing information in the process of pitch extraction. His theory is simplified and amended and presented here as a computer implementation. This implementation has been successfully tested using simulations of a wide range of classical demonstrations of pitch phenomena including the missing fundamental, ambiguous pitch, pitch shift of equally spaced, inharmonic components, musica… Show more

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
1
1
1
1

Citation Types

7
300
0
5

Year Published

1993
1993
2018
2018

Publication Types

Select...
5
5

Relationship

0
10

Authors

Journals

citations
Cited by 429 publications
(312 citation statements)
references
References 57 publications
7
300
0
5
Order By: Relevance
“…Another possibility is that interval size is assessed in the early stages of auditory processing when partials are resolved by auditory filters. Several contemporary models of pitch perception propose that individual partials are resolved by auditory filters in the early stages of pitch processing followed by temporal analysis of neural firing patterns (e.g., Meddis & Hewitt, 1991;Moore, 1997;Patterson et al, 1992; see also Terhardt, 1974). It is possible that processes involved in determining the phenomenal size of a melodic interval may not only operate on the output from such pitch mechanisms but also be engaged at the early stages of pitch processing, reflecting a comparison of energy across all of the resolved partials.…”
Section: Discussionmentioning
confidence: 99%
“…Another possibility is that interval size is assessed in the early stages of auditory processing when partials are resolved by auditory filters. Several contemporary models of pitch perception propose that individual partials are resolved by auditory filters in the early stages of pitch processing followed by temporal analysis of neural firing patterns (e.g., Meddis & Hewitt, 1991;Moore, 1997;Patterson et al, 1992; see also Terhardt, 1974). It is possible that processes involved in determining the phenomenal size of a melodic interval may not only operate on the output from such pitch mechanisms but also be engaged at the early stages of pitch processing, reflecting a comparison of energy across all of the resolved partials.…”
Section: Discussionmentioning
confidence: 99%
“…This has led some authors to develop hybrid pitch models based on the use of both place and temporal information (16,79); these models assume that information from low and high harmonics is combined. However, the clearest pitch is heard when low harmonics are present (80,81), and the ability to detect changes in repetition rate is best when low harmonics are present (82,83).…”
Section: Coding Of Periodicity and Pitch Of Complex Tonesmentioning
confidence: 99%
“…An autocorrelogram based on all-order interspike intervals has been used in various studies of auditory responses, such as modeling studies of the neural representation of pitch (Licklider 1951;Meddis and Hewitt 1991). The SAC is constructed by including the intervals across repetitions but excluding the intervals within each spike train.…”
Section: Correlation Indexmentioning
confidence: 99%