Abstract:<p>It is a curious thing that the poet who once demurred in Callimachean fashion to sing reges et proelia (Ecl. 6.3) should begin his magnum opus with a bold declaration of generic allegiance to Homeric epic: arma uirumque cano (Aen. 1.1). It must have struck Vergil too. For, in the poem which falls between these two works, the Georgics, he engages in an extended self-referential discourse to explain the evolution of his poetic programme. The poem’s metageneric discourse is central to its meaning. And so… Show more
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