Visibility (and invisibility)

Emmerich, Karen

doi:10.1075/hts.4.vis1

Cited by 32 publications

(7 citation statements)

References 8 publications

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“…In die eerste instansie verwys hierdie term na die randposisie wat vertaling in die Anglo-Amerikaanse literêre tradisie beklee, te wete dat vertalings as ondergeskik aan en minder belangrik as die brontekste, oftewel die "oorspronklike" tekste, beskou word. Gevolglik word vertalings dikwels as oorspronklike tekste voorgehou deur die vertaler se rol as mede-produsent te misken of ignoreer, byvoorbeeld in resensies of op boeke se voorblaaie (Emmerich 2013: 200, Munday 2001: 144, Venuti 2008. In die tweede plek verwys die term "onsigbaarheid" na die mate waartoe 'n literêre vertaling vloeiendheid ("fluency") suggereer.…”

Section: Die "Onsigbaarheid" Van Die Vertalerunclassified

Die sigbaarheid van vertaaldheid in resensies van vertaalde Engelse en Afrikaanse romans

Roubaix

Lourens

2021

SPILPLUS

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Die neiging in die literêre kritiek om vertaalde werke as "oorspronklike" werke te resenseer, is alreeds deur verskeie navorsers ondersoek (sien byvoorbeeld Lambert 2010, Maier 2008, Paloposki 2012, en Schulte 2015. Dit beteken dat resensies baie selde daarvan melding maak dat die teks in der waarheid 'n vertaling is. Hierdie neiging van die kritiek om vertaalde tekste as "oorspronklik" te hanteer, is problematies. Vertalers en vertalings kan sodoende gemarginaliseer word, met negatiewe gevolge vir die vertaalprofessie sowel as vir die kanonisering van vertaalde romans (Leech 2005: 12). Vertalings en vertalers word voorts aan haas onmoontlike standaarde onderwerp, omdat resensente dikwels nie vertroud met vertaling is nie, en sodoende die nie-erkenning daarvan in die hand werk.Die studies waarna reeds verwys is, is in Europa uitgevoer, sodat daar ruimte is vir 'n soortgelyke studie in die Suid-Afrikaanse konteks. In hierdie studie val die fokus op resensies van vertaalde romans wat tussen 2006 en 2015 in Suid-Afrika gepubliseer is. Die ontleding sal lig werp op die vraag na die mate waartoe die vertaler en vertaalhandelinge in resensies sigbaar raak, en derhalwe of die resensering van vertaalde werke as oorspronklikes ook binne die Afrikaanse en Suid-Afrikaanse Engelse literêre sisteem plaasvind.

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Section: Die "Onsigbaarheid" Van Die Vertalerunclassified

Die sigbaarheid van vertaaldheid in resensies van vertaalde Engelse en Afrikaanse romans

Roubaix

Lourens

2021

SPILPLUS

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“…The effects of the world SF system itself are most clearly apparent in three of the four core SF cultures, the USA, Britain and France, all of which have been productive of an extensive body of climate fiction. Examples of American climate fiction include: in written literature, Herzog’s Heat (2003 [1977]), Bruce Sterling’s Heavy Weather (1994) and The Caryatids (2009), TC Boyle’s A Friend of the Earth (2000), Crichton’s State of Fear (2009 [2004]), Kim Stanley Robinson’s Science in the Capital trilogy (2004, 2005, 2007), Aurora (2015a), Green Earth (2015b) and New York 2140 (2017), Cormac McCarthy’s The Road (2006), Paolo Bacigalupi’s The Windup Girl (2009) and The Water Knife (2015), Barbara Kingsolver’s Flight Behavior (2012), Nathaniel Rich’s Odds Against Tomorrow (2013), William Gibson’s The Peripheral (2014), Chang-Rae Lee’s On Such a Full Sea (2014), Ben Lerner’s 10:04 (2015 [2014]) and Claire Vaye Watkins’s Gold Fame Citrus (2015); in the graphic novel, Josh Neufeld’s AD: New Orleans after the Deluge (2010), Grant Calof and Eric Eisner’s H2O (2011) and Brian Wood’s The Massive (2012–2015); and in film, Kevin Reynolds’s Waterworld (1995), Steven Spielberg’s AI: Artificial Intelligence (2001), Roland Emmerich’s The Day After Tomorrow (2004), Andrew Stanton’s Wall-E (2008), Jake Paltrow’s Young Ones (2014), Darren Aronofsky’s Noah (2014) and Christopher Nolan’s Interstellar (2014).…”

Section: Climate Fiction and The World Literary Systemmentioning

confidence: 99%

Climate Fiction: A World-Systems Approach

Milner

Burgmann

2017

Cultural Sociology

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Since the death of Pierre Bourdieu, the leading contemporary sociologist of literature has arguably been Franco Moretti. Moretti’s distinctive contribution to the field has been his attempt to apply Immanuel Wallerstein’s world-systems theory to literary studies. Although Wallerstein traces the origins of the modern world-system back to the 16th century, Moretti focuses on the much shorter period since the late 18th century. This is also the historical occasion for the initial emergence of modern science fiction (SF). Andrew Milner has previously sketched out an ambitious model of the ‘global SF field’, which identified an original Anglo-French core, supplemented by more recent American and Japanese cores; longstanding Russian, German, Polish and Czech semi-peripheries; and a periphery comprising essentially the rest of the world. This article attempts to apply that model to the analysis of contemporary climate fiction.

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“…Hero (Zhang Yimou, 2002) y 2012 (Emmerich, 2009) así como sus correspondientes AD en inglés, prestando especial atención a tres aspectos: la temporalidad, los mecanismos de focalización y el lenguaje utilizado. Como conclusión, las investigadoras afirman que los audiodescriptores que se enfrenten a productos de estas características han de ser especialmente cuidadosos con el tempo de cada escena para conseguir dosificar la información de la AD y sincronizarla de la forma que mejor interaccione con los efectos sonoros y con los diálogos de la propia película.…”

Section: Investigación Descriptiva Sobre Aspectos Fílmicos De La Adunclassified

The importance of being relevant?

Braun

2016

Target

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Inspired by the belief that cognitive and pragmatic models of communication and discourse processing offer great potential for the study of Audiovisual Translation (AVT), this paper will review such models and discuss their contribution to conceptualising the three inter-related sub-processes underlying all forms of AVT: the comprehension of the multimodal discourse by the translator; the translation of selected elements of this discourse; and the comprehension of the newly formed multimodal discourse by the target audience. The focus will be on two models, Relevance Theory, which presents the most comprehensive pragmatic model of communication, and Mental Model Theory, which underlies cognitive models of discourse processing. The two approaches will be used to discuss and question common perceptions of AVT as being ‘constrained’ and ‘partial’ translation.

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Visibility (and invisibility)

Cited by 32 publications

References 8 publications

Die sigbaarheid van vertaaldheid in resensies van vertaalde Engelse en Afrikaanse romans

Die sigbaarheid van vertaaldheid in resensies van vertaalde Engelse en Afrikaanse romans

Climate Fiction: A World-Systems Approach

The importance of being relevant?

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