Oxford Handbooks Online 2011
DOI: 10.1093/oxfordhb/9780195388947.013.1001
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Visibly Audible: The Radio Dial as Mediating Interface

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Cited by 9 publications
(4 citation statements)
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“…In their distinct ways, the articles collected here show that it is worthwhile to understand radio as a medium that conjures an imagined space. 13 This space is a crossborder one, where references to specific places are an invitation, not a restriction. Radio with its soundscapes, distant yet intimate voices and music indeed offers much scope for imagination and emotion.…”
Section: Obstacles Methods and Perspectives: Researching Radio Beyonmentioning
confidence: 99%
“…In their distinct ways, the articles collected here show that it is worthwhile to understand radio as a medium that conjures an imagined space. 13 This space is a crossborder one, where references to specific places are an invitation, not a restriction. Radio with its soundscapes, distant yet intimate voices and music indeed offers much scope for imagination and emotion.…”
Section: Obstacles Methods and Perspectives: Researching Radio Beyonmentioning
confidence: 99%
“…At the institutional level, such revised narratives might highlight the importance of otherwise small moments in the histories of these stations. One came during the 1933 Lucerne Conference, which convened countries from the European broadcasting area under the International Broadcasting Union, to minimize interference by allocating particular frequencies to planned or existing national radio broadcasting services (Fickers, ). This conference took place before the PBS, ESB, or BBC's Arabic service had begun operations—but involved Egypt and Palestine because the Levant was considered to fall within the European broadcasting area and because they were expected to launch broadcasting stations in the future.…”
Section: Transnationalism and Radio Historymentioning
confidence: 99%
“…(Arnheim 1936: 31). This transnational promise of radio was materialized -if not always realized (Falkenberg 2005: 186) -during radio's 'classical' era in the form of tuning dials featuring foreign cities (Fickers 2012a). In his 1995 Nobel Prize acceptance speech, for example, the poet Seamus Heaney credited such a dial, along "those first encounters with the gutturals and sibilants of European speech," he discovered from turning it, "even though I did not understand what was being said," with starting him on "a journey into the wideness of the world beyond."…”
Section: Always Already Transnationalmentioning
confidence: 99%