2010
DOI: 10.1093/wsr/wsq006
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Visual aesthetic preference: Effects of handedness, sex, and age-related reading/writing directional scanning experience

Abstract: Most studies of visual aesthetic preference report that right-handers prefer pictorial arrangements possessing left-to-right directionality and/or containing the region of greatest weight or interest on the right side. However, visual aesthetic preference has also been linked to directional scanning depending on the individual's reading/writing habits. The present study aims to assess the respective role of biological factors, related to the functional specialization of the two cerebral hemispheres, indexed by… Show more

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Cited by 16 publications
(26 citation statements)
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“…As handedness may affect lateral biases in aesthetic experience (De Agostini et al, 2010), the analysis was restricted to right-handed participants were (37 Spaniards and 38 Moroccans). Their self-rated level of expertise in photography was 1.13 (SD = 0.79, range 0-3, with only 6 participants rating themselves with a 3, and 11 with a 2).…”
Section: Resultsmentioning
confidence: 99%
See 1 more Smart Citation
“…As handedness may affect lateral biases in aesthetic experience (De Agostini et al, 2010), the analysis was restricted to right-handed participants were (37 Spaniards and 38 Moroccans). Their self-rated level of expertise in photography was 1.13 (SD = 0.79, range 0-3, with only 6 participants rating themselves with a 3, and 11 with a 2).…”
Section: Resultsmentioning
confidence: 99%
“…Chokron and De Agostini (2000) compared drawings of objects which can move (e.g., a truck or a fish facing toward one side), static objects (e.g., a statue with an arm extended to one side), and landscapes (e.g., a beach with a salient object located on one side). They observed clear lateral preferences congruent with RWD in French and Hebrew participants in the drawings of moving and static objects: French users preferred L-R drawings whereas Hebrew participants preferred their R-L versions (see also De Agostini, Kazandjian, Cavezian, Lellouch, & Chokron, 2010, for mediating factors such as Sex and handedness; Ishii, Okubo, Nicholls, & Imai, 2011, for a replication with Japanese readers; and Heath, Mahmasanni, Rouhana, & Nassif, 2005, for an exploration of spatial dimensions specific to landscapes). Nachshon, Argaman, and Luria (1999) used profile drawings of people (which correspond to the category of objects with potential motion) and found similar results: L-R readers preferred L-R profiles, and R-L readers preferred R-L profiles.…”
mentioning
confidence: 90%
“…Interestingly, in contrast to these examples of left-hemifield bias, the bias in reporting of content is to the right when the task is to judge the aesthetics of pictures or paintings. Right-handers prefer images with the most important content located to the right (Chokron & De Agostini, 2000;De Agostini, Kazandjian, Cavézian, Lellouch, & Chokron, 2010;Levy, 1976). Some explanations for this discrepancy have been attempted, such as the idea that the rightward content of the picture balances the subject's leftward attentional bias (Levy, 1976) or that attracting the gaze to the right leaves most of the image in the left visual field to be evaluated by the right hemisphere (Beaumont, 1985).…”
Section: Discussionmentioning
confidence: 99%
“…Both hemispheric specialization (Neimeier et al, 2007) and cultural preferences have been hypothesized to be the origin of perceptual bias (Nachson et al, 1999; Chokron and Agostini, 2000; Health et al, 2005; Christian et al, 2007). Visual aesthetic preference has been shown to be affected by handedness, sex and age as well as related to directional scanning and reading/writing habits (De Agostini et al, 2010). An interesting finding demonstrates that directional preference is not limited to the visual modality but responds similarly to the auditory modality (Ouellet et al, 2010).…”
Section: Discussionmentioning
confidence: 99%