2021
DOI: 10.1016/j.pubrev.2020.102003
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Visual communication and public relations: Visual frame building strategies in war and conflict stories

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Cited by 32 publications
(15 citation statements)
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References 71 publications
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“…In line with the picture superiority theory, human beings are more likely to remember images than other types of descriptive information because their symbolic significance is greater than that of written words (Paivio, 2013). Furthermore, visuals can strongly affect an audience by triggering their emotions (Dixon, 2016), and influence stakeholder attitudes and engagement (Brubaker and Wilson, 2018;Dhanesh and Rahman, 2021). For example, the public opinion of Europeans towards accepting refugees migrating to Europe was heavily affected by a news photograph showing a drowned Syrian boy on a Turkish beach (Hellmueller and Zhang, 2019).…”
Section: The Use Of Visual Images For Managing Plastic Wastementioning
confidence: 95%
“…In line with the picture superiority theory, human beings are more likely to remember images than other types of descriptive information because their symbolic significance is greater than that of written words (Paivio, 2013). Furthermore, visuals can strongly affect an audience by triggering their emotions (Dixon, 2016), and influence stakeholder attitudes and engagement (Brubaker and Wilson, 2018;Dhanesh and Rahman, 2021). For example, the public opinion of Europeans towards accepting refugees migrating to Europe was heavily affected by a news photograph showing a drowned Syrian boy on a Turkish beach (Hellmueller and Zhang, 2019).…”
Section: The Use Of Visual Images For Managing Plastic Wastementioning
confidence: 95%
“…In today's digitally networked world, witnessing and providing testimony to events such as armed conflicts is no longer exclusively tied to editorial decisions and newsroom resources. While the scholarly work on war and conflict on social media still largely focuses on news media and institutions and their use of platforms (Wall, 2010;Cowart et al, 2016;Parry, 2018;Crilley and Chatterje-Doody, 2020;Dhanesh and Rahman, 2021;McCrow-Young and Mortensen, 2021;Hedling et al, 2022), analyses of user-generated content have become increasingly prevalent (Andén-Papadopoulos, 2009Al-Ghazzi, 2014;Makhortykh and Sydorova, 2017).…”
Section: War Representations and Social Mediamentioning
confidence: 99%
“…BeReal, a new social media platform on which pictures cannot be filtered, has also gained popularity (Davis, 2022). These trends signal the need for more truthful self‐presentation or “genuineness,” defined as “the ability and willingness to be what one truly is” (Gelso & Carter, 1994, p. 297), and more specifically, “visual genuineness” in self‐presentation, as visuals become the dominant form of communication on social media (Dhanesh & Rahman, 2021). However, the impact of visual genuineness (vs. nongenuineness) is unclear.…”
Section: Introductionmentioning
confidence: 99%