Visual Exploration Using Acrylic Paint on Used Fashion Items for Sustainable Use

Yogantari, Made Vairagya

doi:10.37200/ijpr/v24i3/pr201902

Cited by 14 publications

(13 citation statements)

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“…Advertising media must pay attention to the designation of the land where the advertisement is installed (Yin 2017;Miles 2005;Ng et al 2015;Ewing and Handy 2009;Amin 2008) There are restrictions in implementing the POA for specific land functions; this is applied because it concerns the suitability of the POA's substance with the public surround it. For example, in a government land use, the essence of an advertisement media that is allowed is the one that contains non-commercial, social, or public POA is a media that is used to convey information/appeal to the public, so the placement is tied to advertisement space, which is a space along the road, both road's space or private space at the side of the road that could visually be accessed by the public (Dwijendra 2020a;Nurjani and Dwijendra 2020;Yogantari and Dwijendra 2020;Mahendra, et al 2019). The advertisement placement goal is to attract viewers' attention to increase the legibility of the messages.…”

Section: Resultsmentioning

confidence: 99%

Planning Principles of Permanent Outdoor Advertising (POA) in Arterial and Collector Road Corridors in Denpasar City, Bali, Indonesia

Laskara¹,

Dwijendra²,

Pebriyanti³

et al. 2020

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Permanent Outdoor Advertising (POA) is one of the media for providing public space information to impact the viewer with words, with or without photographs. That details to the public on programs, goods, lifestyles, dreams, and values. Advertising is an important and very important tool in economic and business terms because it is direct communication with the audience. POA also generates the image and visual quality of public spaces as an urban physical feature in terms of urban planning. A important location for information dissemination is the high speed of motion in arterial and collector roads. The POA is something that draws attention and can enhance the region's picture. Advertisers, however, frequently disregard the detrimental impact of RRLs on the physical condition of urban space for the sole purpose of offering economic benefits. In Denpasar, POA is divided into 1) electronic billboards and 2) billboards, and POA typology can be divided into a) independent structure (free-standing POA) centered on technological installation; b) related to another structure (attached POA). The main issues of POA implementation in Denpasar City are: 1) security, 2) beauty/aesthetic, and 3) legibility are the key issues of the POA implementation in Denpasar City. These questions emerged from several aspects, namely: 1) land use; 2) structure and construction; 3) placement; 4) form, scale, and quantity; 5) orientation; 6) lighting; 7) material. The planning principles of the POA in Denpasar should be evaluated on the basis of contextual problems and the arterial and collector roads surrounding them. The POA identification is carried out in Denpasar City on twenty-nine main roads, including all three arterial roads, and on twenty-six collector roads. Two functions representing both arterial and collector roads in Denpasar were chosen for the study position on the main road with primary arterial function, collector-one, and collector. Post-occupancy evaluation (POE) was the research approach used in this study with a qualitative analysis methodology that observes and analyzes the POA conditions that occurred on selected roads in Denpasar Area, which are used as a basis for structuring the principles and aspects of POA planning.

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Section: Resultsmentioning

confidence: 99%

Planning Principles of Permanent Outdoor Advertising (POA) in Arterial and Collector Road Corridors in Denpasar City, Bali, Indonesia

Laskara¹,

Dwijendra²,

Pebriyanti³

et al. 2020

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“…(An ancestral spirit is said to be sacred when it has passed through the ceremonial process, which is the first cremation then followed the measuring ceremony which is the ceremony of the atman, and the last order of ceremony is the departure of the God of Pitara. After this last level ceremony Meru -Gedong Kemimitan was made [16] [24] [46].…”

Section: The Meaning Of Meru As a Symbol Of The Mountain Worship Of mentioning

confidence: 99%

“…Whereas in terms of dimensions, the Meru floor plan is rectangular in shape with a base size varies, 5 m x 5 m, 3 m x 3 m, up to 7 m x 7 m and its height varies to reach 10 m even more depending on the number of overlapping roofs (Figure 3). On the part of the body that is the place of worship, covered by using wood or a pair of bricks, river stones, sandstone (according to site conditions) and in it there is a pepaga (altar) or bale-bale that serves as a place to put pratima in the form of phallus, statues of gods and goddesses as a symbol of the manifestation of the power of Hyang Widi Wasa (God Almighty), and offerings at the time of the ceremony and are equipped with an entrance for humans to pray in the room/body of Meru [37] [41] [44]. The character in this worship room has a high verticalism, so as if we are pulled up, this is caused by the influence of the shape of the space inside it continuously from the bottom up, so that there is an upward air pull which blows through the gaps between the overlaps Meru roof.…”

Section: Layout and Form Of Meru Based On Hasta Kosala Kosali's Rulementioning

confidence: 99%

Meru as a Hindu Sacred Building Architecture with a High Roof and Resistant to Earthquakes in Bali, Indonesia

Dwijendra¹

2020

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Meru has meaning as a symbol of Mount Mahameru, symbol of God and the universe that serves as a place of worship of the gods and ancestors. Meru is found in large temples in Bali, Indonesia with its trademark characteristic that the roof has a high overlapping reaching 10 meters or more with the number of roofs always odd so that Meru becomes a landmark in every temple in Bali. Meru is a very beautiful sacred building that was built based on the accuracy of proportions, the logic of construction techniques and the beauty of decoration, which holds fast to local wisdom based on Traditional Balinese Architecture. This study aims to explore the meaning and philosophy of Meru and why the construction of Meru as an earthquake resistant building. With a qualitative explorative study of primary data collection such as: surveys, observations and interviews and combined with secondary data in the form of old legacy writing, study shows that Meru not only has beauty as a sacred building but also is an earthquake-resistant building construction that has proven its reliability compared to other Hindu sacred buildings.

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“…Dwijendra [4] explains the importance of understanding traditional house architecture Sundanese Traditional Houses in Indonesia (Case Study: Baduy Tribe Community-Banten) as a manifestation of local traditional and cultural values that are full of symbolic and philosophical meanings. Adhika and Dwijendra [5] [27] [28] [31] emphasized that the main principle of traditional houses is obedience to customary rules so that beautiful harmonization can be established. Meanwhile, Nuryanto [6] [29] [32] states that traditional houses are seen as a manifestation of two local cultures that are mutually binding between the concrete (ragawi) and the abstract (tanragawi).…”

Section: Introductionmentioning

confidence: 99%

Technic and Mystics of Tukang Wangunan in Sundanese Traditional Houses in Indonesia (Case Study: Baduy Tribe Community-Banten)

Nuryanto¹,

Dwijendra²,

Paturusi³

et al. 2021

cea

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Visual Exploration Using Acrylic Paint on Used Fashion Items for Sustainable Use

Cited by 14 publications

References 0 publications

Planning Principles of Permanent Outdoor Advertising (POA) in Arterial and Collector Road Corridors in Denpasar City, Bali, Indonesia

Planning Principles of Permanent Outdoor Advertising (POA) in Arterial and Collector Road Corridors in Denpasar City, Bali, Indonesia

Meru as a Hindu Sacred Building Architecture with a High Roof and Resistant to Earthquakes in Bali, Indonesia

Technic and Mystics of Tukang Wangunan in Sundanese Traditional Houses in Indonesia (Case Study: Baduy Tribe Community-Banten)

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