2014
DOI: 10.1080/10400419.2014.929410
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Visual Preferences of Young School Children for Paintings from the 20th Century

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Cited by 9 publications
(10 citation statements)
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References 19 publications
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“…People perceive objects differently in everyday situations and dedicated artistic spaces, and this effect may have influenced our results, that is, viewing art in a space dedicated to art-the art gallery-may have had a positive effect on the children's perceptions of it. Therefore, our study extends the scope of previous findings (Kuscevic et al, 2014) by yielding similar results for a younger age-group and in a more natural context. In addition to the positive effect of curator-led tours and educational workshops on the youngest children's esthetic judgment, differences in ratings between the youngest and the oldest children from the control groups suggest that, in order to compensate for the lack of knowledge, preschool-aged children require informational support to be able to fully appreciate the perceived artworks.…”
Section: Discussionsupporting
confidence: 89%
See 1 more Smart Citation
“…People perceive objects differently in everyday situations and dedicated artistic spaces, and this effect may have influenced our results, that is, viewing art in a space dedicated to art-the art gallery-may have had a positive effect on the children's perceptions of it. Therefore, our study extends the scope of previous findings (Kuscevic et al, 2014) by yielding similar results for a younger age-group and in a more natural context. In addition to the positive effect of curator-led tours and educational workshops on the youngest children's esthetic judgment, differences in ratings between the youngest and the oldest children from the control groups suggest that, in order to compensate for the lack of knowledge, preschool-aged children require informational support to be able to fully appreciate the perceived artworks.…”
Section: Discussionsupporting
confidence: 89%
“…In a study of 8-to 13-year-old children in which reproductions of artworks were used, Smith and Smith (2008) found that the older children were better at interpreting the works. Kuscevic et al (2014) also found developmental differences in esthetic judgments of art (including reproductions) from various historical periods. Twentieth-century art was rated higher by older children than by younger children.…”
Section: Introductionmentioning
confidence: 83%
“…Brajčić, Kovačević, Kuščević, 2013). Z badań wynika, że sztuka nowoczesna i współczesna nie jest preferowana przez dziecięcych odbiorców, którzy wolą od niej: prace pozbawione wartości artystycznej, wytwory plastyczne dzieci, a także realistyczne dzieła figuratywne z wcześniejszych okresów historii sztuki (Kuscevic, Kardum, Brajcic, 2014;Nissel, Hawley-Dolan, Winner, 2016). Mając świadomość tego, że obecnie tworzona sztuka może sprawiać trudność dziecięcemu odbiorcy, wiele instytucji wystawienniczych prowadzi różnego rodzaju zajęcia edukacyjne opracowane specjalnie z myślą o najmłodszych widzach, których celem jest zainteresowanie dzieci sztuką współczesną (zob.…”
Section: Wprowadzenie Teoretyczneunclassified
“…Dissanayake (2007) proposed explanations on the origins of art in the deep history of human evolutionary past, from mother-child attachment to developing complex rituals. It has also been noted that art is appreciated by children, that most children like it (see Kuscevic, Kardum, & Brajcic, 2014;Nissel, Hawley-Dolan, & Winner, 2016). Furthermore, most of the explanations for the reasons of the existence of art mention the rewarding value of perception of artworks (Chatterjee, 2013), or how exposure to artworks fits the way that human brain functions (Ramachandran & Hirstein, 1999).…”
mentioning
confidence: 99%