“…Human observers have no trouble identifying what an actor is doing in a given point-light display (e.g., Dittrich, 1993; Vanrie & Verfaillie, 2004). Even when the range of potential activities is quite large, they readily recognize individual actions and the associated emotions (Alaerts, Nackaerts, Meyns, Swinnen, & Wenderoth, 2011; Brownlow, Dixon, Egbert, & Radcliffe, 1997; Dittrich, Troscianko, Lea, & Morgan, 1996; Pollick, Paterson, Bruderlin, & Sanford, 2001; van Boxtel & Lu, 2011; Walk & Homan, 1984), are able to understand the intentions of the actor, and can detect a violation of his/her expectations (Runeson & Frykholm, 1983). …”