Visual sociology

Zuev, Dennis; Krase, Jerome

doi:10.1177/2056846017121

Cited by 12 publications

(4 citation statements)

References 36 publications

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“…In fact, many approaches have analyzed environmental discourse in ecodocumentaries. These include the sociological approach (LovelL, 1971;Nathansohn & Zuev, 2013;Pauwels, 2010;Sztompka, 2008;Zuev & Krase, 2017), the literary approach (Buell, 2005;Buell, Heise & Thornber, 2011;Ivakhiv, 2008), the narrative approach (Chapman, 2009;Nichols, 1991), the rhetorical approach (Basa, 2009;Feldman, Skoldberg, Brown & Horner, 2004;Hauser, 2002;Rider, 2014), and the semiotic approach (Aslani, 2014;Kress & Leeuwen, 2006;Martin & Rose, 2003;Wildfeuer , 2014).…”

Section: Approaches To Eco-documentaries Fictionmentioning

confidence: 99%

Environmental Discourse in Moroccan Eco-documentary: The decryption of Scientists’ Narratives

Mliless

Azzouzi

2020

IJLLS

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Eco-documentary is a media genre that aims to raise environmental awareness among the general public. It exposes environmental degradations and presents alternatives for environmental issues such as pollution, global warming, and deforestation among others. For this aim, the language of scientific experts contributes a lot to the making of the argumentative flow of the documentary. Within the framework of ecolinguistics, this article examines fear and threat expressions used by scientists to reinforce argumentation in Faouzi’s (2012) entitled /الزرقاء المرجة انين: Whining of the Blue Lagoon/. In this direction, Witte, Cameron, McKeon, & Berkowitz's (1996) model of "perceived severity" and "perceived susceptibility" was adopted to explain the use of fear and threat appeals in the film. The results show that ‘perceived severity’ and ‘perceived susceptibility’ expressions are preponderant in experts’ discourse. This study has many implications for eco-documentary producers, governmental and non-governmental organs, and future research in Morocco to explore other facets of films that report about man’s damages perpetrated to environmental settings and resources.

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Section: Approaches To Eco-documentaries Fictionmentioning

confidence: 99%

Environmental Discourse in Moroccan Eco-documentary: The decryption of Scientists’ Narratives

Mliless

Azzouzi

2020

IJLLS

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“…A diverse range of visual materials (films, photographs, maps, drawings, cartoons, symbols) have been used across a broad range of visual methods (Weber, 2008). In sociology, visual methods were adopted in the study of a broad range of social phenomena such as social movements and activism (Neumayer & Rossi, 2018; Hardbarger & Maguire, 2018), collective identities, ethnic conflicts, work and organisations and urban environmental use (Zuev & Krase, 2017; Shortell & Brown, 2014). Despite its ability to contribute richer and deeper insights into diverse subject matters, visual methods remain underutilised in studies on physical culture, in particular on leisure activities “involving expression through physicality” and “physical movement occurring within recognised cultural domains such as sport, dance” (Phoenix, 2011, p. 1).…”

Section: Queer(y)ing Dancesport Through a Turn To Embodied Knowledgementioning

confidence: 99%

Gender and Sexuality Performances Among LGBT+ Equality Dancers: Photo-Elicitation as a Method of Inquiry

Wong

2023

International Journal of Qualitative Methods

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In its classical form, ballroom dancing constitutes heterosexual dance couples enacting conservative forms of masculinity and femininity. A normative focus, both in scholarship and in practice, on the classical form in competitive ballroom dancing (also known as Dancesport) excludes the lived narratives of LGBT + dancers practicing the sport outside of the mainstream. Equality Dancesport is one such example, with dancers performing in diverse partnership typologies and adopting less gender-segregated dance roles and movements. Drawing on the photo-elicitation exercise, embedded within in-depth interviews, conducted as part of a broader ethnographic study on the equality Dancesport scene in the United Kingdom, I demonstrate how the strategy informed a ground-up emergence of a queer theoretical framework for understanding masculinities and femininities across the sex, gender and sexuality categorical divides. Four key opportunities afforded by photo elicitation are identified, namely (1) invoking new queer knowledge which blurs the binary divide in how concepts of masculinities and femininities are investigated in existing dance scholarship, (2) facilitating the development of more egalitarian researcher/participant relationships, (3) enabling affective, detailed and fluid narrations of lived experiences of dancing, and (4) positioning interviewees as dance spectators and inspiring reflections on the community. The paper concludes with three recommendations for negotiating the pitfalls of using a photo elicitation technique in dance studies. First, researchers need to recognise the limits of inclusivity offered by photo elicitation and practice sensitivity towards participants. Second, integrating photographs with other visual methods such as videos can enable researchers to leverage the strengths of different visual tools to inspire talk about broader topics. Third, before using the method, researchers need to develop mental strength for coping with negative talk, to achieve more holistic understanding of participants’ sentiments and motivations and as a duty of accountability towards them.

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“…According to Stumberger (2010), this reference to the multifaceted network of relationships between producer, consumer, motive, and function forms the basis for the imagology (Dukic, 2012) and visual sociology (cf. Zuev & Krase, 2017) that will be constituted later, in which the backgrounds of the images, will also be analyzed (cf. Stumberger, 2010).…”

Section: The Primacy Of the Visualmentioning

confidence: 99%

Space, Education, and Inclusion

Rißler,

Köpfer,

Buchner

2023

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Visual sociology

Cited by 12 publications

References 36 publications

Environmental Discourse in Moroccan Eco-documentary: The decryption of Scientists’ Narratives

Environmental Discourse in Moroccan Eco-documentary: The decryption of Scientists’ Narratives

Gender and Sexuality Performances Among LGBT+ Equality Dancers: Photo-Elicitation as a Method of Inquiry

Space, Education, and Inclusion

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