2018
DOI: 10.1002/wat2.1292
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Visualizing urban inequalities: The ethics of videography and documentary filmmaking in water research

Abstract: Visual methods are becoming increasingly popular in social sciences, but are still little explored when it comes to water related studies. Drawing on literature on visual methods and documentary filmmaking, this paper reflects on the role and potential of videography to capture and visualize inequalities in urban water supply and access. The paper is based on research undertaken over a period of 4 years, in which a mix of talk based and videographic methods was used to capture the production of uneven conditio… Show more

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Cited by 9 publications
(8 citation statements)
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“…In the periphery of Maputo and Lilongwe, for instance, water is only supplied at night. Timing here matters perhaps even more than distance in shaping women's experiences of fear and violence with which water access becomes associated [92,93]. Concurrently, time of storage and discontinuity of flow fundamentally change the quality of water and, in turn, increase risks of its contamination [66,94].…”
Section: Complementarity: Space-time In the Water And Society Interplaymentioning
confidence: 99%
“…In the periphery of Maputo and Lilongwe, for instance, water is only supplied at night. Timing here matters perhaps even more than distance in shaping women's experiences of fear and violence with which water access becomes associated [92,93]. Concurrently, time of storage and discontinuity of flow fundamentally change the quality of water and, in turn, increase risks of its contamination [66,94].…”
Section: Complementarity: Space-time In the Water And Society Interplaymentioning
confidence: 99%
“…Videos can capture nuances that are overlooked in texts, e.g. body posture, tone, sounds, interactions, and embodied movements in the specific geographical and cultural contexts that the film portrays (Rusca, 2018). In this sense, in agreement with Fors' (2015) concept of digital visuality, the digital visuality enabled by a videographic representation on a Story Map would be fundamentally multisensory and embodied.…”
Section: Vignette Two: Representing 'Ethical Encounters'mentioning
confidence: 80%
“…As an example, water practices that are carried out in the private space of the home often concern private or even stigmatized activities such as bathing (Kadibadiba et al, 2018) or managing menstrual waste (Alda‐Vidal & Browne, 2021). By contrast, those performed in public spaces, such as negotiating water prices at the kiosk or redirecting water from the network to the homes are subject to different norms and meanings (Rusca, 2018; Velzeboer et al, 2018).…”
Section: The Practices Of Everyday Lifementioning
confidence: 99%