Votives and Material Religion

Weinryb, Ittai

doi:10.1080/17432200.2017.1272738

Material Religion

2017

DOI: 10.1080/17432200.2017.1272738

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Votives and Material Religion

Ittai Weinryb

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2022

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The Poetics of Sensational Forms

Nolasco

2022

Relig. Arts

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This article seeks to analyze the drift of elements of Azorean popular religion into the domain of art orchestrated by two Azorean artists, Catarina Branco and Sofia de Medeiros. The change brings unlikely marriages into fruition, uniting the humor of pop art and the solemnity of the arches of the high choir in a church, the spirit of revelry and a sign of the cross, representing the unfathomable—death, the dread of emptiness to the feeling of unity in communitas. The presentation, together with the strangeness of decontextualization provoked by this change, invoke the walk of the visitor, during which different senses are awakened, in which the poetic imagination of the observer is called forth to complete the different meanings. In this thesis I shall argue that the elements of popular religiosity carried by these artists into the domain of art constitute sensory arrangements, in the sense given to this term by Meyer, providing structure to a collective religious experience particular to Azorean culture where the sacred intertwines with the profane. The mediation of the transcendent through these sensory arrangements leads, on one hand, to contamination and reciprocal intensification of the spheres of art and religion and, on the other hand, to a renewed look at the contemporaneous and its connection to the spiritual.

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The Poetics of Sensational Forms

Nolasco

2022

Relig. Arts

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How Modern Witches Enchant TikTok: Intersections of Digital, Consumer, and Material Culture(s) on #WitchTok

Miller¹

2022

Religions

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WitchTok describes a sub-section of the social media platform TikTok, which caters to Contemporary Pagans and other practitioners of modern Witchcraft. Through short micro-videos, users share snapshots of their lives, providing a window into their religious identities and practices. Through a qualitative analysis of videos and comments, this exploratory study examines how modern Witches engage with religion through this digital space. Although this platform is wholly virtual, WitchTok is also eminently material. Through sharing and commenting on videos of spells, potions, altars, and other practices, users engage with a range of material objects. By announcing the magical properties of materials, instructing how to use certain objects, and advising where items can be found, WitchTok reveals how Witches conceptualize materiality and magic. The promotion of products, businesses, and personal brands in this space also reveals how Witchcraft is shaped by consumerism. In contrast to scholars who distinguish between “traditional” Witchcraft and “consumerist” Witches, I argue that WitchTok highlights the complex entanglements of Witchcraft with consumer capitalism.

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Votives and Material Religion

Cited by 2 publications

References 1 publication

The Poetics of Sensational Forms

The Poetics of Sensational Forms

How Modern Witches Enchant TikTok: Intersections of Digital, Consumer, and Material Culture(s) on #WitchTok

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