In an abandoned school, in Thailand's rural Isan region, humans walked on the sky. A mural of a royal blue sky, made of coloured dust, lay on a classroom floor. Each day, the breeze from open windows blew the dust, changing the image. This shifting sky made of earth was part of Nipan Oranniwesna's site-specific installation Then one morning, they were found dead and hanged (2020). It used symbols familiar to all Thai people to boldly re-image democracy, monarchy and Thailand's long history of struggle between the two. This work, and others that use such potent symbols, reframe Thai political history and enlighten the way many Thai artists are imagining the future of their country.The political timescale of Thailand is fraught. Those who have been fighting for democratic reforms for decades feel that little has changed. In the ongoing student-led protests that began in 2020, frequent references to the massacres, revolutions and coups of the twentieth century imply that these silenced histories are repeating. Old dreams for a powerful constitution and reformed monarchy have been held back. The overlap between past, present and future leaves many Thais unmoored, unsettled by how things are but hesitant to disrupt anything out of cynicism or fear of what may come.