Warp's Music Videos: Affective Communities, Genre and Gender in Electronic/Dance Music's Visual Aesthetic

Haddon, Mimi

doi:10.3366/jbctv.2019.0499

Cited by 1 publication

(1 citation statement)

References 20 publications

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“…This construction produces the notion, among women who view it, that the beauty standard for women is identical to that depicted in the music video. Music videos showcasing female models who adhere to beauty standards are employed to attract a large audience (Álvarez-Cueva et al, 2021;Haddon, 2019). In addition to persuading the audience, the music video also delivers a message about the beauty of the model.…”

Section: Introductionmentioning

confidence: 99%

Contesting the Portrayal of Beauty As It is in Music Videos: A Semiotic Analysis of the Video of Yura Yunita-Tutur Batin

Lamdia,

Santoso,

Andarini

2023

muwazah

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Recently, "beauty as it is" has been featured in commercials for beauty products, movies, and music videos. This concept arose from a lengthy conversation about normative beauty, according to which a beautiful lady is always characterized by having fair complexion, straight hair, and a fresh face. This study, in response to these developments, challenges if, in the manufacture of "beauty as it is," capitalists continue to use women's bodies as commodities instruments, not only beauty and sexiness but also women's flaws and powerlessness. In more detail, this study employs a critical paradigm, Roland Barthes' semiotic analysis, and Stuart Hall's representation theory to deconstruct the denotation, connotation, and myths that form in the music video for Yura-Yunita-Tutur Batin. Findings of this study indicates that women who do not adhere to beauty norms would face prejudice. The prevalence of beauty privilege is damaging not just to women who are far from beauty standards, but also to gorgeous women, who are regarded as having beauty capital alone. The female body is once again objectified in this video. Women's physical appearances are shown in a variety of ways by expressing themselves as they are, but the music video nonetheless builds conventional standards of beauty. The body positivity campaign resulted in poisonous body positivity, and women supporting women was only carried out by women with the same physical issues, while the rest depicted women dropping other women.

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Section: Introductionmentioning

confidence: 99%