Welsh Women’s Industrial Fiction 1880–1910

Abstract

From the beginning of the genre, women writers have made a major contribution to the development of industrial writing. Although prevented from gaining first-hand experience of the coalface, Welsh women writers were amongst the first to try to fictionalize those heavy industries-coal and metal in the south, and slate in the north-which dominated the lives of the majority of the late nineteenth-century Welsh population. Treatment of industrial matter is generally fragmentary in this early women's writing; industrial imagery and metaphor may be used in novels that are not primarily "about" industry at all. Yet from c. 1880-1910, Welsh women writers made a significant-and hitherto critically neglected-attempt to make sense in literature of contemporary industrial Wales in powerful and innovative ways. This essay maps their contribution and considers anglophone Welsh women writers' adaptations and innovations of form (particularly romance) as they try to find a way of representing industrial landscapes, communities and the daily realities of industrial labour. It identifies the genesis in women's writing of tropes that would become central to later industrial fiction, including depictions of industrial accident, injury, death and disability. And it explores the representation of social relations (class, gender, ethnicity, sexuality) and conflict on this tumultuous, dangerous new stage. Women writers have been central to the development of the industrial novel, as with Elizabeth Gaskell's Mary Barton (1848) and North and South (1855), and George Eliot's Felix Holt (1866). But the heavy industry that dominated in Wales-coal, iron, steel and quarrying-is notable for its absence in the early canonical novels by women (and men). 1 These industries were arguably less accessible to women writers with the necessary education and leisure to write than the factories which formed the basis of much of the early industrial fiction. There is a corresponding neglect in critical studies: in Susan Zlotnick's Women, Writing and the Industrial Revolution, mining is mentioned just once, in passing relation to Felix Holt, and there is a similar dearth in relation to women writers in earlier studies by Martha Vicinus and Catherine

Procuring Snakes: Thomas Pennant and recent scholarship in Welsh writing of the long eighteenth century

“…New attention to travel writing generally, such as Thomas Pennant has prompted, resonates particularly in Welsh contexts. Both travel and fiction are advancing key current research strands, such as literature, industry and disability (Bohata & Jones, ), and queer studies. For example, using Pennant as a starting point or wider frame for later travellers makes the industrial sublime and chemical spectacle of Michael Faraday's 1819 Welsh tour (unpublished until 1972) visible as part of a bigger conversation about Wales in the period (Edwards, ).…”