2008
DOI: 10.1556/ahista.49.2008.1.6
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Welterfahrung und Weltentwurf des reisenden Künstlers in der Gegenwart

Abstract: Authors can use the OOpenArt (optional open article) publication model for a specific publishing fee. Full-text of an OOpenArt paper is freely accessible through the official website of the journal. These papers are published in the printed journals also as well as all the traditional ones. Peer-review process and quality requirements are the same in case of both traditional and OOpenArt manuscripts. All accepted new manuscripts and papers published earlier can be OOpenArt.

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“…1 To begin with, the contemporary artist is already a traveller. The CIHA Conference in Budapest discussed the concept of the nomad, which dates back into history and still today shapes the artist's self definition (Schneemann 2008). The object, which we tend to define by its link to an original site, travelled long before the emergence of universal exhibitions -we know of Chinese artefacts in the eleventh century designed for diplomatic use as gifts that were sent out into the world, adapting to changing projections and altering their status constantly (Anderson 2009).…”
mentioning
confidence: 99%
“…1 To begin with, the contemporary artist is already a traveller. The CIHA Conference in Budapest discussed the concept of the nomad, which dates back into history and still today shapes the artist's self definition (Schneemann 2008). The object, which we tend to define by its link to an original site, travelled long before the emergence of universal exhibitions -we know of Chinese artefacts in the eleventh century designed for diplomatic use as gifts that were sent out into the world, adapting to changing projections and altering their status constantly (Anderson 2009).…”
mentioning
confidence: 99%