“…Empirical models of musical aesthetic experiences generally converge on three components: (1) inputs of music, context, and individual person (e.g., music preference), (2) processing mechanisms, and (3) an aesthetic response output (Anglada-Tort & Skov, 2020;Hargreaves & North, 2010;. Broadly speaking, research has mainly focused on the second component, with recent studies focusing on naturalistic music processing (Alluri et al, 2012;Burunat et al, 2014;Cheung et al, 2019;Di Liberto et al, 2020;Kern et al, 2022;Omigie et al, 2021).…”