Abstract:Imaginative variations in hermeneutical approaches to Song of Songs show the interpreters’ struggle to understand the presence of this sexual text within the Holy Bible. Even the broad scholarly consensus, labelling the Song’s genre as “mere” love poetry signals the perception of an absence of theological meaning. The inability of interpreters to find theological meaning in an Israelite text about sexuality reflects a societal dualism where sexuality is viewed as secular and removed from the realm of spiritual… Show more
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