When a request turn is segmented: Managing the deontic authority via early compliance

Kuroshima, Satomi

doi:10.1177/14614456221136975

Cited by 1 publication

(5 citation statements)

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“…As evidenced above (see section 2.2.1), it is still debated whether visuospatial behaviour can be organized in adjacency pairs, and thus whether it can reveal orientations to deontic stances and statuses. However, some research has revealed visuospatial managements of deontic rights (see for instance Asmuß & Oshima, 2012;Barske, 2009;Clifton et al, 2018;Kuroshima, 2023;Stevanovic & Monzoni, 2016;Tranekjaer et al, 2022;Tuncer, 2015;Van De Mieroop et al, 2020). This thesis adds to that research by investigating how participants negotiate rights to propose and depict through visuospatial resources.…”

Section: Deonticsmentioning

confidence: 91%

“…Consequently, I hope to contribute to literature on proposals and joint decision-making (cf. -Kuhlen, 2014;Houtkoop, 1987;Lindholm et al, 2020;Lindström, 2017;Nissi, 2015;Stevanovic, 2012Stevanovic, , 2015Stevanovic, , 2021Stevanovic & Monzoni, 2016;Stivers & Sidnell, 2016;Thompson et al, 2021), particularly on how visuospatial resources become relevant, both for the formation of proposals, and for negotiations of deontic rights (Clifton et al, 2018;Kuroshima, 2023;Magnusson, 2022;Stevanovic, 2015Stevanovic, , 2018Stevanovic, , 2021Stevanovic & Peräkylä, 2012Van de Mieroop et al, 2020).…”

Section: Aimmentioning

confidence: 99%

“…However, some research has begun to tease apart how visuospatial behaviour might figure in deontic negotiations (cf. Asmuß & Oshima, 2012;Barske, 2009;Clifton et al, 2018;Kuroshima, 2023;Stevanovic & Monzoni, 2016;Tranekjaer et al, 2022;Tuncer, 2015;Van De Mieroop et al, 2020; see also for an example of embodied negotiations of the interactional agenda in musical masterclasses). This thesis contributes to this emerging understanding by showing evidence of negotiations of deontic rights below the level of the adjacency pairs normally associated with language.…”

Section: Depictions As Locus Of Negotiations Of Deontic Rightsmentioning

confidence: 99%

“…Avhandlingen bidrar till tidigare studier om ikoniska fenomen i social interaktion (Cantarutti, 2020(Cantarutti, , 2021(Cantarutti, , 2022a(Cantarutti, , 2022bEhmer & Mandel, 2021;Holt & Clift, 2007;Keevallik, , 2014aSchmidt & Deppermann, 2022;Sidnell, 2006;Stukenbrock, , 2014bStukenbrock, , 2017Thompson & Suzuki, 2014), multimodalitet och multimodala gestalter (Deppermann, 2013;Mondada, 2014aMondada, , 2016Nevile, 2015;Stukenbrock, 2018, gemensamt beslutsfattande, förslag och deontik (Asmuß & Oshima, 2012;Clifton et al, 2018;Couper-Kuhlen, 2014;Houtkoop, 1987;Kuroshima, 2023;Lindholm et al, 2020;Lindström, 2017;Magnusson, 2022;Nissi, 2015;Stevanovic, 2012Stevanovic, , 2015Stevanovic, , 2021 samt studier om interaktionella historier och longitudinell samtalsanalys (Broth et al, 2017;Deppermann, 2018a;, särskilt de som studerar kreativa och konstnärliga processer över tid (Due, 2016;Hazel, 2018;Norrthon, 2019;Norrthon & Schmidt, 2023;Schmidt & Deppermann, 2023;Yasui, 2013). Följande fyra forskningsfrågor angående gestaltningar under sceniska operarepetitioner undersöks inom ramen för avhandlingen:…”

Section: Holistic Sense-making In Opera Rehearsals and Beyondunclassified

“…Artikel heter (se Barske, 2009;Asmuß & Oshima, 2012;Tuncer, 2015, Stevanovic & Monzoni, 2016Clifton et al, 2018;Van de Mieroop et al, 2020;Tranekjaer et al, 2022;Kuroshima, 2023).…”

Section: Holistic Sense-making In Opera Rehearsals and Beyondmentioning

confidence: 99%

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Bodies to suit the music : Depictions in opera rehearsals

Löfgren

2023

Studies in Language and Culture

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This thesis investigates how participants in 20 hours of video-recorded scenic opera rehearsals make use of depictions (Clark, 2016), a communicative strategy based on iconicity, to create performance bodies, i.e. what the performers should do on stage to music. The method is grounded in ethnomethodologically informed conversation analysis and interactional linguistics (EMCAIL). The thesis aims to reveal how participants in opera rehearsals construct and respond to depictions, what interactional and semiotic functions depictions carry, and the nature of the relationship between depictions and descriptions, and in extension between language and the body in social interaction.The thesis comprises three individual articles. Article I focuses on how performers and the director deploy depictions in proposals of performance bodies. It is argued that depictions reference both themselves as the current state of the artwork, and prototypes of mundane behaviour (distal scenes). The article compares the self-referentiality, or introversive semiosis, of depictions with how interactional practices in general develop over time. Article II focuses specifically on how performers make proposals with depictions. The article concludes that depictions are multimodal gestalts whose interpersonal coordination reflects the distribution of deontic rights during the rehearsals in a visuospatial way, beyond the adjacency pair. Article III focuses on changes in turn design, and the relative deployment of depictions and descriptions, over joint decision-making micro-histories. It is shown how proposals move from descriptive to increasingly depictive states as the participants assure that there is displayed epistemic access to, and alignment and agreement with, the proposed performance bodies. The use of language early in the process secures conditionally relevant responses to the proposed ideas and thereby successful outcomes of proposals. The article reveals the essentially joint nature of the decision-making process on performance bodies.The thesis uncovers the temporally heterogenous nature of depictions. They are achieved in stepwise manners: both in terms of their moment-by-moment realization in turns, and in terms of their development over interactional histories. They are dialogically achieved both in the local and historical sense: their successful realization is dependent on cooperation from co-present participants who are also intrinsically involved in their development over time. Further, it is argued that depictions are both an interactional practice for creating opera performances and the very same performances at their current states. The thesis contributes to a holistic and integrated view of social interaction where no resources, whether traditionally conceived of as linguistic or not, are considered more important than others for the local constitution of social action.

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Section: Deonticsmentioning

confidence: 91%

Section: Aimmentioning

confidence: 99%

Section: Depictions As Locus Of Negotiations Of Deontic Rightsmentioning

confidence: 99%

Section: Holistic Sense-making In Opera Rehearsals and Beyondunclassified

“…Artikel heter (se Barske, 2009;Asmuß & Oshima, 2012;Tuncer, 2015, Stevanovic & Monzoni, 2016Clifton et al, 2018;Van de Mieroop et al, 2020;Tranekjaer et al, 2022;Kuroshima, 2023).…”

Section: Holistic Sense-making In Opera Rehearsals and Beyondmentioning

confidence: 99%

See 3 more Smart Citations

Bodies to suit the music : Depictions in opera rehearsals

Löfgren

2023

Studies in Language and Culture

View full text Add to dashboard Cite

show abstract

When a request turn is segmented: Managing the deontic authority via early compliance

Cited by 1 publication

References 43 publications

Bodies to suit the music : Depictions in opera rehearsals

Bodies to suit the music : Depictions in opera rehearsals

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