2020
DOI: 10.1371/journal.pone.0234201
|View full text |Cite
|
Sign up to set email alerts
|

Who has to tell their trauma story and how hard will it be? Influence of cultural stigma and narrative redemption on the storying of sexual violence

Abstract: Although survivors of sexual violence have shared their stories with the public on social media and mass media platforms in growing numbers, less is known about how general audiences perceive such trauma stories. These perceptions can have profound consequences for survivor mental health. In the present experimental, vignette-based studies, we anticipated that cultural stigma surrounding sexual violence and cultural preference for positive (redemptive) endings to adversity in the United States (U.S.) would sha… Show more

Help me understand this report
View preprint versions

Search citation statements

Order By: Relevance

Paper Sections

Select...
1
1
1
1

Citation Types

1
32
2

Year Published

2020
2020
2024
2024

Publication Types

Select...
9
1

Relationship

3
7

Authors

Journals

citations
Cited by 46 publications
(43 citation statements)
references
References 42 publications
1
32
2
Order By: Relevance
“…Indeed, although not the focus here (see Delker et al, 2020), there are some hints that some stories may be especially hard to tell, even when they are redeemed. The stories of childhood sexual abuse and adult sexual assault were rated less positively than other stories even when they were redeemed.…”
Section: Supported Hypothesesmentioning
confidence: 94%
“…Indeed, although not the focus here (see Delker et al, 2020), there are some hints that some stories may be especially hard to tell, even when they are redeemed. The stories of childhood sexual abuse and adult sexual assault were rated less positively than other stories even when they were redeemed.…”
Section: Supported Hypothesesmentioning
confidence: 94%
“…However, this master narrative has the potential to be harmful to the people whose stories deviate from it. People whose stories are not aligned with the master narrative of redemption in their culture may diverge from socially acceptable strategies to recover from trauma, which could lead to poorer adjustment (Delker, Salton, McLean, & Syed, 2020; Infurna, 2020; McLean et al, 2020). Individuals may also provide socially desirable responses to assessments of growth in order to align their experience with the master narrative (Salsman, Segerstrom, Brechting, Carlson, & Andrykowski, 2009; Zoellner & Maercker, 2006), which may also have the consequence of upholding, and further instantiating, the master narrative to which people are responding (McLean & Syed, 2015).…”
Section: Conceptual Considerationsmentioning
confidence: 99%
“…For example, we had an identical story about a car accident, but created different endings for that event. We take up the issue of the role of event type in more detail elsewhere (Delker, Salton, McLean, & Syed, 2020), but here we expect the preference for redemptive stories, and their narrators, to be robust across types of trauma. Second, to determine the degree to which these preferences were robust across stories and participants we examined ratings both between-, and withinparticipants.…”
Section: Present Studiesmentioning
confidence: 99%