Ireland, 1641 2016
DOI: 10.7765/9781784992033.00017
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“…Another example can be found in an article by Judith Pollmann and Erika Kuijpers, in which the mutineers are prominent and the military character of operations is again suppressed. 51 Emily Jo Peters even turned the mutiny and the sack of the city into exactly the same event, writing of 'the mutiny of the Spanish troops in Antwerp -called the Spanish Fury'. 52 Also, Ramon Voges found it necessary to correct Frans Hogenberg because he did not pay attention to the aspect of mutiny in his prints: 'The fact that the soldiers were mutineers is not recognized.'…”
Section: The Mutinymentioning
confidence: 99%
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“…Another example can be found in an article by Judith Pollmann and Erika Kuijpers, in which the mutineers are prominent and the military character of operations is again suppressed. 51 Emily Jo Peters even turned the mutiny and the sack of the city into exactly the same event, writing of 'the mutiny of the Spanish troops in Antwerp -called the Spanish Fury'. 52 Also, Ramon Voges found it necessary to correct Frans Hogenberg because he did not pay attention to the aspect of mutiny in his prints: 'The fact that the soldiers were mutineers is not recognized.'…”
Section: The Mutinymentioning
confidence: 99%
“… Voges, Auge der Geschichte, 89; Benedict, Graphic history,[189][190] 'Nieuwe visie',[51][52] Génard, 'Poursuites',[61][62]. 27 Rooms, 'Nieuwe visie'.…”
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