2016
DOI: 10.1108/heswbl-04-2016-0023
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Work-based learning

Abstract: Purpose – The purpose of this paper is to show how transdisciplinarity is woven into the key curriculum components of individually negotiated work-based learning (WBL) programmes and to focus upon the performative value of knowledge in the work context. Design/methodology/approach – This paper draws upon WBL academic literature and the authors 22 years operational experience of WBL. Findings … Show more

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Cited by 38 publications
(39 citation statements)
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References 14 publications
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“…Earlier reviews of industry-university partnerships have been thematic or conceptual and have concentrated on the integration of work-based learning and formal education (Garnett 2016;Lucas 2007;Tynjälä 2008;Tynjälä, Välimaa, and Sarja 2003). Thus, no systematic review has been conducted on these topics.…”
Section: Introductionmentioning
confidence: 99%
“…Earlier reviews of industry-university partnerships have been thematic or conceptual and have concentrated on the integration of work-based learning and formal education (Garnett 2016;Lucas 2007;Tynjälä 2008;Tynjälä, Välimaa, and Sarja 2003). Thus, no systematic review has been conducted on these topics.…”
Section: Introductionmentioning
confidence: 99%
“…Esta mejora de imagen proporciona buena propaganda a la empresa (Ferrández-Berrueco et al, 2016b), pero también ofrece la oportunidad de influir en el currículo de las universidades, lo que proporciona mejores programas a los estudiantes para mejorar su empleabilidad y mejorar las prestaciones sociales. (Ferrández-Berrueco et al, 2016b;Garnett, 2016;Marzo et al, 2008;Whittington & Ferrández, 2007).…”
Section: Responsabilidad Social Corporativa (Rsc)unclassified
“…Understanding how artists are equipped, as well as how their skillsets affect the roles they play and how they play them, should help the enterprise education system to understand the disadvantages of viewing the arts and business as separate disciplines (e.g. Garnett, 2016). This leads us to another related theatrical phenomenon.…”
Section: Troubleshooting On the Stagementioning
confidence: 99%