2013
DOI: 10.3389/fpsyg.2013.00929
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Working with(out) a net: improvisational theater and enhanced well-being

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Cited by 34 publications
(31 citation statements)
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“…Students are trained to become better at delivering a speech (for instance, eye-contact, body language and voice), but even more importantly, they learn to create and perform a speech spontaneously or without preparation. They learn how to make decisions and take risks, and acquire techniques that should help them generate ideas and give them the freedom to be able to speak in front of an audience without the net of a fixed script (Bermant, 2013). This should eventually lower the level of anxiety associated with speaking in front of an audience.…”
Section: Public Speaking and Improvisation Trainingmentioning
confidence: 99%
“…Students are trained to become better at delivering a speech (for instance, eye-contact, body language and voice), but even more importantly, they learn to create and perform a speech spontaneously or without preparation. They learn how to make decisions and take risks, and acquire techniques that should help them generate ideas and give them the freedom to be able to speak in front of an audience without the net of a fixed script (Bermant, 2013). This should eventually lower the level of anxiety associated with speaking in front of an audience.…”
Section: Public Speaking and Improvisation Trainingmentioning
confidence: 99%
“…without previous scenario written nor prepared). In this condition, going on stage without a single prepared word, costume or décor requires risk taking and perseverance to keep falling and getting up for every performance (Bermant, 2013;Johnstone, 1999). Hoffman-Longtin and her colleagues (2017) recently pinpointed that rather being innately spontaneous, "professional improvisers develop the ability to listen closely, focus, accept others' ideas and support one another through improvisation games".…”
Section: Improvisational Theatrementioning
confidence: 99%
“…Considering this necessity to develop good creativity skills, many people turn to arts, mostly theatre and music. In this context, the success of improvisational theatre (improv), supposed to enhance creativity (Bermant, 2013), spreads into various areas beyond theatre (i.e. applied improvisation): medical doctors, psychologists, teachers, students, managers, negotiators and scientists attend improv workshops (Bermant, 2013;Bernstein, 2014;Hainselin, Quillico, & Parking, 2017;Hoffmann-Longtin, Rossing, & Weinstein, 2017).…”
Section: Introductionmentioning
confidence: 99%
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“…We also learn to say “yes” to anything, just like the Auguste. This is a very powerful skill also developed in improvization theater with the famous “yes, and…” (Bermant, 2013 ; Bernstein, 2014 ).…”
mentioning
confidence: 98%