2015
DOI: 10.1111/nzg.12077
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Writing difference differently

Abstract: This paper investigates the writing of situated knowledge and explores the possibilities of enacting difference by writing differently. We present a selection of research stories in which carrier bags, sounds, baskets, gardens and potatoes are interpreted less as objects of research or metaphors to aid in analysing phenomena, than as mediators of the stories. Our stories emphasise the ontological politics of engaging with and representing the relational, the messy, the spontaneous, the unpredictable, the non‐h… Show more

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Cited by 24 publications
(21 citation statements)
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“…Using extracts from our chats and a conversational structure adds to a growing tradition in which critical writing is undertaken collectively and through dialogue, 16 broadening the scope of academic writing. 17 As human geographers, we position this alongside calls to pluralise 'ways of framing and interfering with the world'. 18 The collective writing process enacts our view that feminism is work best done collectively, critically and creatively, always a work in progress, lively with contradictions 19 (footnote to this philosophy of feminism).…”
Section: Writing As 5bmentioning
confidence: 99%
“…Using extracts from our chats and a conversational structure adds to a growing tradition in which critical writing is undertaken collectively and through dialogue, 16 broadening the scope of academic writing. 17 As human geographers, we position this alongside calls to pluralise 'ways of framing and interfering with the world'. 18 The collective writing process enacts our view that feminism is work best done collectively, critically and creatively, always a work in progress, lively with contradictions 19 (footnote to this philosophy of feminism).…”
Section: Writing As 5bmentioning
confidence: 99%
“…It will be useful to explicate briefly the assemblage constructed in an antique box for storing and displaying seeds and the symbolic slave garden. These were performative research, intended "not only to describe phenomena but also to enact possibilities" by attending to the ontological implications of doing and not just writing (Fisher et al 2015). I wanted both the assemblage and garden to communicate differently from how a text might and to invite coproduction afterwards of the ideas and symbolic meanings they initially inscribe.…”
Section: Performative Research and Visualized Knowledge: Cabinets Gamentioning
confidence: 99%
“…The first two were the SKCAN project (see Fisher et al . forthcoming) and the residential workshops of the ‘Constructive Conversations’ project, from which we developed understandings of experimentation and its situatedness. The third was the participation of others of our group in the annual Foreign Policy School, University of Otago, where we encountered senior government official James Palmer (Director of Strategy at the Ministry of Agriculture and Forestry), who stimulated our interest in provenance .…”
Section: Experimenting In Knowing and Doing Biological Economymentioning
confidence: 99%