2020
DOI: 10.1111/gwao.12441
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Writing resistance together

Abstract: This piece of writing is a joint initiative by the participants in the Gender, Work and Organization writing workshop organized in Helsinki, Finland, in June 2019. This is a particular form of writing differently. We engage in collective writing and embody what it means to write resistance to established academic practices and conventions together. This is a form of emancipatory initiative where we care for each other as writers and as human beings. There are many author voices and we aim to keep the text open… Show more

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Cited by 69 publications
(80 citation statements)
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“…One of the authors reflected on her latest participation in GWO writing workshop experiences in Helsinki when they discussed and dug deeper into the notion of silence related to multiple identities and pressures as foreign female academics in a male‐dominated culture. While silence is regarded as the expression of knowing and the inaudible manifestation of frailty of words, the power of silence in language arises from dispelling one's inside darkness, anxiety and void (Ahonen et al, 2020).
I ask myself, ‘what are my identity/ies?
…”
Section: Silence Of Living Alone In a City Gone Quiet And Silencingmentioning
confidence: 99%
“…One of the authors reflected on her latest participation in GWO writing workshop experiences in Helsinki when they discussed and dug deeper into the notion of silence related to multiple identities and pressures as foreign female academics in a male‐dominated culture. While silence is regarded as the expression of knowing and the inaudible manifestation of frailty of words, the power of silence in language arises from dispelling one's inside darkness, anxiety and void (Ahonen et al, 2020).
I ask myself, ‘what are my identity/ies?
…”
Section: Silence Of Living Alone In a City Gone Quiet And Silencingmentioning
confidence: 99%
“…We explore the possibilities and impossibilities of writing the naked self (Gannon, 2006) and the naked other in an embodied dialogical italicized writing style (Boncori and Smith, 2018;Helin, 2019a), whose lines set the stage for our written dance and our embodied theorization. In so doing, we contribute to the increasing acknowledgment of how "theorizing is endemically informed by corporeality" (Grosz, 1994;Segarra and Prasad, 2018: 2) problematizing anatomical, phallocentric organizational research approaches that "dress" bodies with overly abstract discourse (Ahonen et al, 2020;Fotaki, 2013;Phillips et al, 2014;Pullen et al, 2020;Thanem and Knights, 2019). Our understanding of nakedness responds to calls to reclaim eros in the academy as an energy source (Bell and Sinclair, 2014;Dorion, 2018;Lund and Tienari, 2019) with a powerful embodied and inter-corporeal potential.…”
mentioning
confidence: 98%
“…We were inspired in our collective writing approach by 'Writing Resistance Together' (Ahonen et al, 2020). We also drew on Grenier (2015) as a model for constructing our shared autoethnography in a quasi-conversational form that expresses insights into our shared truths.…”
mentioning
confidence: 99%