“…We explore the possibilities and impossibilities of writing the naked self (Gannon, 2006) and the naked other in an embodied dialogical italicized writing style (Boncori and Smith, 2018;Helin, 2019a), whose lines set the stage for our written dance and our embodied theorization. In so doing, we contribute to the increasing acknowledgment of how "theorizing is endemically informed by corporeality" (Grosz, 1994;Segarra and Prasad, 2018: 2) problematizing anatomical, phallocentric organizational research approaches that "dress" bodies with overly abstract discourse (Ahonen et al, 2020;Fotaki, 2013;Phillips et al, 2014;Pullen et al, 2020;Thanem and Knights, 2019). Our understanding of nakedness responds to calls to reclaim eros in the academy as an energy source (Bell and Sinclair, 2014;Dorion, 2018;Lund and Tienari, 2019) with a powerful embodied and inter-corporeal potential.…”