X-ray fluorescence and imaging analyses of paintings by the Brazilian artist Oscar Pereira Da Silva

Campos, P.H.O.V.; Kajiya, E.A.M.; Rizzutto, M. A.; Neiva, A.C.; Pinto, Herbert Prince Favero; Almeida, P.A.D.

doi:10.1016/j.radphyschem.2013.05.029

Cited by 14 publications

(8 citation statements)

References 3 publications

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“…The visual immediacy of photography becomes art. The transformation and borrowing of painting is still the result of a methodology of painting [10]. In combination with the development of culture and society, the language of painting is more provocative for the audience's desire for direct image cognition.…”

Section: Photographic Painting In Chinamentioning

confidence: 99%

Cultural Connotation and Integration of Painting and Media in Contemporary Art

Zhang¹

2018

Proceedings of the 4th International Symposium on Social Science (ISSS 2018)

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Abstract. The world has already entered the age of image from the word age. Photography has a great influence on painting. Photographic painting is a new art style. As a new field of painting study, photographic painting has its significance in the cultural expression of modern art. Taking German artist Gerhard. Richter's work as an example, the randomness of its composition and the scalability of the image is analyzed. Based on the research of many famous artists at home and abroad, images are introduced. The aesthetic orientation is being accepted and adopted by more and more artists and the public. The emergence and development of photographic painting has an inherent connection with the development of art. Photographic painting is studied in the development of contemporary art, to find the exact theoretical basis of aesthetic theory.

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Section: Photographic Painting In Chinamentioning

confidence: 99%

Cultural Connotation and Integration of Painting and Media in Contemporary Art

Zhang¹

2018

Proceedings of the 4th International Symposium on Social Science (ISSS 2018)

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“…Following this requirement, the elemental characterization by X-Ray Fluorescence (XRF), has a great prominence in the analysis of historical cultural heritage artifacts. In addition to allowing non-destructive examinations, there are currently different types of portable XRF systems, easily operation, which allow in situ analysis [2][3][4][5][6][7][8][9][10].…”

Section: Introductionmentioning

confidence: 99%

Analysis of painting Victor Meirelles’ “Passagem de Humaitá” by XRF

Freitas

Felix²,

Pereira³

2021

Braz. J. Rad. Sci.

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Analysis of historical artifacts, it's a multidisciplinary field of research known as archaeometry, has expanded greatly in recent years. One of the reasons for this expansion was the great effort of physicists and engineers, who focused on the development of portable instruments, that allow analyses in situ and non-destructive of these artifacts. The X-Ray Fluorescence (XRF) is techniques of the most used in this field of study. In this work the XRF was used to analysis the artwork "Passagem de Humaitá", by the Brazilian painter Victor Meirelles, dated 1872. The painting, which has dimensions of 268 cm x 405 cm, is exposed at National Historical Museum located in Rio de Janeiro. The analyses were carried out in situ with portable XRF system model TRACER IV from Bruker, which has Rh anode and can operate with maximum voltage and current of 40 kV and 200 μA. Spectra of more than 80 points of the painting were obtained, with the tube operating at voltage of 40 kV and a current of 10 μA, and the spectra were collected during 60 seconds. The results allowed to conclude that the painter used pigments such as vermilion and/or cinnabar [HgS], calcite [CaCO3], zinc white [ZnO], lead white [(PbCO3)2·Pb(OH)2], red ocher [Fe2O3], brown umbra [Fe2O3.MnO2].

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“…This painting was brought to the Faculty of Applied Arts in Belgrade for restoration, which provided a unique opportunity for a scientific investigation. This is the first scientific study of Milo Milunović's artwork and it was perfomed combining in situ non-destructive energy dispersive X-Ray fluorescence (EDXRF) spectroscopy, which has been proven to be efficient in the study of canvas painting materials (Rosi et al, 2009;Campos et al, 2014;Van de Voorde et al, 2014), with the preparation and study of cross-section samples as well as raw fragments of the samples. In-house developed portable EDXRF spectrometer was used for investigation of well-preserved regions of the painting, while paint chips taken from the edges of the damaged regions were investigated by optical microscopy, microRaman and FTIR spectroscopy.…”

Section: Introductionmentioning

confidence: 99%