1998
DOI: 10.2307/2567747
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"You Must Remember This": Autobiography as Social Critique

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Cited by 32 publications
(9 citation statements)
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“…Understanding the study's current import requires an assaying of these beliefs and memories, exploring how and where they travel, the experiences they build upon, and the truths they proclaim 4 . Fact and fiction have long circulated about the study, and the misreadings have at times served important cultural functions.…”
mentioning
confidence: 99%
“…Understanding the study's current import requires an assaying of these beliefs and memories, exploring how and where they travel, the experiences they build upon, and the truths they proclaim 4 . Fact and fiction have long circulated about the study, and the misreadings have at times served important cultural functions.…”
mentioning
confidence: 99%
“…Connerton claims that 'the practice of historical reconstruction can in important ways receive a guiding impetus from, and can in turn give significant shape to, the memories of social groups (Connerton 1989: 14). Hutton argues in a more radical way that historiography cannot be seen as a process freed from memory, but rather as an official version of memory which enjoys the sanction of academic authority (Hutton 1993;see also Assmann 1999;Crane 1997;Hall 1998). This does not mean that memory and history are synonymous, but rather that 'memory is history located in relatively subjective space; history is memory located in relatively objectified space.…”
Section: The Fine Line Between Memory and Historymentioning
confidence: 99%
“…Some are famous: President Obama’s (1995) Dreams from My Father is anchored in genealogical symbolism. Some public memoirs are from obscure figures like Katherine Du Pre Lumpkin, daughter of a southern white family who had owned slaves, largely participated in sentimentalizing slavery, and represented the Civil War as a noble ‘lost cause’ after the Confederacy’s defeat (Hall 1998: 446–9). In her book, The Making of a Southerner, Hall finds Katherine turned ‘autobiography into social critique’ and that her ‘writing embodies a promise: Change can occur – has already occurred – from within’ (455).…”
Section: Conclusion: Genealogical Contributions To Social Memories Anmentioning
confidence: 99%
“…Hall argues that Katherine ‘made history a weapon for dismantling social memory, but she also used memory and autobiography to breathe life into history’ (465). Katherine Lumpkin’s exposure to the contradictions of class status, the acts of white women in racial oppression, and her unusual advanced education at the turn of the century reveals the dynamic ways that power and knowledge can come together in an intersectional analysis to use ‘lethal memories’ in the service of emancipation (Hall 1998: 465).…”
Section: Conclusion: Genealogical Contributions To Social Memories Anmentioning
confidence: 99%
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