1994
DOI: 10.2307/2080735
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You Wrote My Life: Lyrical Themes in Country Music.

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Cited by 9 publications
(2 citation statements)
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“…Although consistent with classical theory's interest in culture and more recent efforts to develop social movement theory's emphasis on cultural processes (Melucci 1985;Taylor and Whittier 1992), it is notable that so few analyses systematically consider music as a component of the collective action repertoire or as a form of discourse through which collective identity is fostered and movement solidarity is achieved. In a study of American left-wing music, Denisoff (1972) distinguishes between songs that are rhetorical, highlighting discontent, and songs that aimed at recruitment and solidarity maintenance during active, collective protest (also see Flacks 1999;McLaurin and Peterson 1992). Eyerman and Jamison (1998) concur and suggest that the articulation of identity through music is central to movement formation.…”
Section: Media and Mobilizationmentioning
confidence: 99%
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“…Although consistent with classical theory's interest in culture and more recent efforts to develop social movement theory's emphasis on cultural processes (Melucci 1985;Taylor and Whittier 1992), it is notable that so few analyses systematically consider music as a component of the collective action repertoire or as a form of discourse through which collective identity is fostered and movement solidarity is achieved. In a study of American left-wing music, Denisoff (1972) distinguishes between songs that are rhetorical, highlighting discontent, and songs that aimed at recruitment and solidarity maintenance during active, collective protest (also see Flacks 1999;McLaurin and Peterson 1992). Eyerman and Jamison (1998) concur and suggest that the articulation of identity through music is central to movement formation.…”
Section: Media and Mobilizationmentioning
confidence: 99%
“…6 Of course, music has been important for other labor insurgencies in the United States, back to the classical industrial ballads by Joe Hill. Unfortunately, and despite the existence of collections of songs of insurgency across a variety of industries (see Greenway 1956;Hille 1948;Lieberman 1989;Lomax 1960;Lomax, Guthrie, and Seeger 1967), the link between music, social processes, and mobilization has, with few exceptions (e.g., McLaurin and Peterson 1992), received little systematic attention among sociologists.…”
Section: Datamentioning
confidence: 99%