Youth and Popular Music: a Theoretical Rationale for an International Study

Robinson, Deanna Campbell

doi:10.1177/001654928603700105

Cited by 7 publications

(2 citation statements)

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“…Many scholars and musicians propose that popular music is one of the most universal means of communication, traversing language and other cultural barriers (Burnett, 1996;Chaffee, 1985;Robinson, 1986). In recent years, the development of new communication technologies has changed the music industry, including the production, distribution and consumption of music goods.…”

Section: Introductionmentioning

confidence: 99%

The structure of international music flows using network analysis

Moon

Barnett

Lim

2010

New Media & Society

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Using network analysis, this study examines the current structure of international music trade flow and its determinants. International music trade data from the United Nations Commodity Trade Statistics database are employed to describe the international music flow network and how it changed between 2002 and 2006. Network analysis reveals the imbalance of international music trade between the core and the periphery. Specifically, the USA and European countries including Germany, the UK and the Netherlands are at the core, dominating international trade of music products. Over the five-year period, the international music trade network remained relatively stable. Regression analysis indicates that a country's economic development, the language(s) its people speak and technological development are influential factors that determine the global structure of international music flows.

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Section: Introductionmentioning

confidence: 99%

The structure of international music flows using network analysis

Moon

Barnett

Lim

2010

New Media & Society

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“…Así, diversos autores caracterizan el videoclip como ejemplo perfecto de todo aquello que califican de "estética posmoderna": triunfo de los significantes sobre los significados, estética del fragmento, intertextualidad y pastiche, autorreferencialidad, banalización de lo ideológico, etc. (Aufderheide, 1986;Fiske, 1984;1986;1997;Kaplan, 1989;Tetzlaff, 1986).…”

Section: Introductionunclassified

La visualización de la música en el videoclip

Ruiz

2012

Ambitos

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La imagen y la música son los dos componentes fundamentales del videoclip. Aunque los estudios han tendido a centrarse en los aspectos visuales y a obviar el componente musical, lo cierto es que la música existe con anterioridad a la imagen del videoclip y, en consecuencia, determina la concepción y construcción de ésta, máxime teniendo en cuenta la función del videoclip como herramienta de comunicación comercial específica del sector fonográfico. Se estudia, pues, la interacción entre la música y la imagen a partir del concepto de sinestesia, y, en concreto, la influencia de los diversos elementos musicales de cara a la construcción formal del videoclip.

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Media Studies and Cultural Studies: A Symbiotic Convergence

Erni¹

2001

A Companion to Cultural Studies

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Youth and Popular Music: a Theoretical Rationale for an International Study

Cited by 7 publications

References 10 publications

The structure of international music flows using network analysis

The structure of international music flows using network analysis

La visualización de la música en el videoclip

Media Studies and Cultural Studies: A Symbiotic Convergence

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