Zur Einleitung: Eventisierung des Urbanen

The New Museum Folkwang in Essen. A Contribution to the Cultural and Economic Regeneration of the Ruhr Area?

“…3 This fact has stimulated a debate that was motivated first and foremost by practical political aims: the exploitation of growth and employment opportunities and the creation of highly qualified and competitive jobs in an innovative and fast-growing sector. Numerous national agencies have focused on the growth potential of "culture"-first of all in the UK (DCMS, 2001), as well as in Spain (Plaza, 2000), Italy (Lazzeretti, 2011), France (Ahearne, 2011), Germany (Betz et al, 2011) and in other parts of the world (Cunningham, 2009). In addition, international organizations such as United Nations Educational, Scientific and Cultural Organization (UNESCO), the European Union (EU), the World Intellectual Property Organization (WIPO), the Organisation for Economic Co-operation and Development (OECD) and the United Nations Conference on Trade and Development (UNCTAD) have also contributed to the statistical construction and the political and public recognition of this very heterogeneous sector (KEA, 2006).…”

Eine Ethnographie zu Veranstaltern von Musikevents

“…(Pfadenhauer 2000 Pfadenhauer (exempl. Pfadenhauer 2000;Pfadenhauer 2010;Betz et al 2011;Gebhardt 2000), die sich in den letzten Jahren intensiv mit dem Forschungsfeld befasste, soziologisch arbeitet. Pfadenhauer (2000) (Geißler 2000, S. VI) Auf der einen Seite können Systeme sich also nicht direkt gegenseitig beeinflussen, auf der anderen Seite ist jedoch wahrnehmbar, dass Lehren, also das intendierte Anregen von Lernprozessen, möglich ist.…”