In recent decade, modernism as one of the varieties of post-postmodernism, draws interest of the researchers. It is suggested that modern culture has transgressed the situation of postmodernism, gravitating towards conceptual and semantic sustainability. As a language of self-description of the new era, the foundations of metamodernism are reflected in various forms of art. The opera house, overcoming the inertia of conservatism, perceives these trends, refracting them in a characteristic oscillation between the extreme semantic poles, which formed during the period of antiquity. The subject of this research is the correlation between the ancient musical heritage and metamodernistic trends in the modern opera theater. It is determined that translation of the principles of musical score of the ancient cult within the framework of the works of modern opera directors implies the characteristic to the supporting music of the cult forms of Ancient Greece and Rome oscillation between the poles of monophony – polyphony, instrumentality of accompaniment – a cappella, improvisational – preset of musical pieces. Paradigmatic assimilation of the fluctuations inherent to the cult of antiquity, as well as the absence of intentionality in their manifestations (which partially reflects the religious-ecstatic procedurality of art), largely determine the specific attributes of metamodernism, emphasized in the works of R. Castellucci, P. Sellars, R. Wilson, and D. Chernyakov.

No abstract

From April 14 to 16, 2022, the Moscow State Linguistic University hosted the 3rd International Scientific and Practical Conference Dialogue of Cultures and Civilizations. The event was organized by the Moscow State Linguistic University in cooperation with the Institute of World History of the Russian Academy of Sciences and the Association of Educational Organizations Scientific and Educational Theological Organization. Researchers from Astrakhan, Voronezh, Kazan, Moscow, St. Petersburg, Syktyvkar, Ufa, Yaroslavl, as well as from China and France took part in the sessions. Those were: Philosophical Search for the Foundations of Language, Culture and Society; Historical and Cultural Heritage and Modern Documentary Sources of Information in Russia and Foreign Countries; Cultural Identity in the Modern World: Analytical Models, Ways of Construction and Forms of Representation; Religious Identity and Theological Discourse in the Context of Modernity; Intellectual Potential Management in Organizational Structures of Digital Economy; Psychology and Pedagogy: Methodology, History, Theory, Practice; Foreign Language in the Sphere of Professional Communication; Physical Safety and National Health. The 3rd International Scientific and Practical Conference Dialogue of Cultures and Civilizations became a significant event in the scientific life of the capital, the high content level of which has been repeatedly noted in speeches by leading Russian and foreign researchers, as well as representatives of public authorities.

No abstract