The purpose of this study is to examine how Bapsi Sidhwa treats the motif of feminism in her novel The Pakistani Bride. Women are oppressed, dominated, and exploited in a predominantly male-dominated society. This study aims to investigate the gender prejudices that exist in the tribal patriarchal society in Pakistan. In order to highlight the remote lives of women in an overwhelmingly male-oriented society, FTDM (Fairclough's 3-Dimensional Model) is used as a lens for analysis of the novel's text. The findings of the study demonstrate that females are oppressed and subjugated emotionally, physically, and socially. Women's marginalization, oppression, and patriarchal hegemony are all deeply rooted in cultural practices. This debate focuses on women because power in discourse identifies the exact ways in which it can be exercised physically and practically in order to achieve desired results. The textual analysis reveals the pitiful condition and deplorable treatment of women in remote areas of Pakistan. Furthermore, the research reveals that FTDM demonstrates how ideological language is used and the role of persuasive strategies in the development of social relationships.

The study explores the legitimized use of the figure of speech in Burnt Shadows. The author uses language as a source of connection between the characters who are different in their eras, countries, and cultural backgrounds. The objective of the study is to explore the effects of language on multiculturalism and the impact of political unrest on the lives of common people during the second world war. She has used lingual devices to enhance the intensity of circumstances as well as for the accurate pasteurization of the sentimental and physical conditions of Hiroko and Sajjad. Specific figurative techniques like metaphor, simile, personification, irony, epigram, and symbolism have been explored in the text of Burnt Shadows. These techniques expose the hidden truths and aggressive nature of political conflict in the lives of the people of Japan, the Subcontinent, and European countries. Pragmatic studies have been applied to the text as a mirror to see the function and nature of wordplay in the novel. The results expose that the author has artistically applied specific devices in the formation of text in order to highlight the role of language in the development of cultural intimacy and maintaining social relationships. The figures of speech are also helpful to map the mind of readers according to the plot construction of the novel.