There is little evidence to support the efficacy of the life storybook creation process, which incorporates the use of narratives, in mediating depression levels. The study aimed to examine the effects of the life storybook creation process on depressive symptoms among older community-dwelling Chinese adults in Singapore. A randomised controlled trial was conducted from January 2011 to March 2012. Twenty-six Chinese aged over 60 years, who were able to communicate in Chinese and/or English, and with mild to severe depression were randomly allocated to either the life storybook (intervention) group (n = 14) or the non-life storybook (control) group (n = 12). Subjects in the intervention group were interviewed on a one to one basis on five sessions over 8 weeks. Depressive symptoms were measured using the Geriatric Depression Scale. Generalised estimating equations were used to examine the effects of the intervention on the elderly peoples' depression level. Significant reductions in depression scores were found in the intervention group from baseline (mean 7.9 [SD 3.0]) to week 8 (2.5 [1.7], χ(2) = 15.25, P < 0.001). At week 8, the intervention group showed a lower level of depression than the control (χ(2) = 4.33, P = 0.037). This study supports the life storybook creation process as an effective intervention for depressed older Chinese adults living in the community. The findings suggest that this intervention may enhance the quality of care provided by healthcare providers as the therapeutic relationship between provider and client is being established.

HAPPEN is a member of the Natural Semantic Metalanguage (NSM) inventory of primes (cf. Goddard and Wierzbicka (eds) 1994, 2002). Its English exponent ‘happen’ has been popularly expounded asfa1sheng1in Mandarin Chinese (e.g., Chappell 2002). This article argues thatfa1sheng1is not the correct exponent of HAPPEN as it is marked for ‘adversity’ as well as what I call ‘serious mention’ or ‘noteworthiness’ of the event, i.e., that an event is sufficiently serious or noteworthy to fare a mention. This article puts forwardyou3lit. ‘have, exist, happen’ andzen3(me)yang4/zhe4(me)yang4lit. ‘like how/like this’ instead, as allolexic exponents of HAPPEN in Mandarin Chinese. Though highly polysemous each in its own way, the HAPPEN sense ofyou3andzen3(me)yang4/zhe4(me)yang4can, respectively, be shown to be semantically irreducible and pragmatically neutral. This article delineates some of the syntactic and contextual distribution attesting to the viability ofyou3andzen3(me)yang4/zhe4(me)yang4as expounding HAPPEN.

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While speed as a sonic and musical experience may be a universal phenomenon, concepts referring to kinds of speed are language-specific and culture-dependent. This paper focuses on the notion of speed in Chinese and concepts associated with speed in Chinese, especially in relation to music. Five speed-related concepts in Chinese are subjected to scrutiny:Preliminary findings demonstrate that, unlike in some other musical traditions in which one might expect the capacity to play at markedly contrastive speeds in a musical performance to be aesthetically desirable or even essential, as the meanings of the speed-related concepts in Chinese reveal, the ability to play fast is not necessarily aesthetically praiseworthy in at least traditional Chinese music, nor is speed necessarily a major consideration as one executes speed in a Chinese musical interpretation.