Purpose of the study: The present research aims to explore the oppressed and marginalized Afghan women who are made subaltern socially and religiously. It further reveals the ability of women to endure the violence and to create the vision of women empowerment through their suppressed bodies. Methodology: The primary data of research relies upon the text of A Thousand Splendid Suns by Khalid Hosseini (2007). Further, it has also been collected from secondary sources like articles and reviews mentioned in the reference list. The selected text is analyzed under the theoretical framework of the theory of subaltern by Spivak (1988), utilizing the content analysis. Main findings: The study dismantles the struggles of marginalized women for their survival and to free them from the suffocating chains of repression and violence. Nana, Mariam, and Laila being the subaltern know the word ‘Endurance’ while living in dilapidated social conditions. They show the degree of resistance and then also unite to stand against societal prominence. Mariam- the harami, sacrifices her life for Laila and Laila becomes the voice of her coming generation who can challenge the subaltern attitude and will speak loudly. Application of this study: Utilizing the theory of subaltern by Spivak, this research answers the question “Can the subaltern speak?” as ‘Yes’. It brings a message if the subaltern group combines and stands against the unjust norms, they will no more remain a subaltern and will be applicable for academicians and researchers as well. Novelty/Originality of this study: The study is distinctive because it explores the literature that portrays the stories of almost every home and corner of the world. Despite passing phases of woman's rights, the female gender is still being suppressed. It also unveils how gender inequality, poor and gender-biased educational systems, the justice system, and constrained or child marriages are being practised.

This paper aims to offer a dialectical view of Utopia and utopian impulse in utopian theory. Politically, Utopia is associated with a reductionist leftist politics which overlooks essential human diversity and psycho-social conflicts by imposing harmony and progress through implicit violence. In aesthetic representation, Utopia is seen as an ideal society which offers a glorious transformation of mankind living in a society free of wants and conflicts. However, Utopian theory is essentially different from such meta narratives about Utopia and its pr-axis. Instead of focusing on the political or aesthetic concept of Utopia, it brings forth a dialectical analysis of Utopia and Utopian impulse to understand its aesthetic, political and theoretical dimensions. This paper claims that the utopian impulse is the central subtext of diverse utopian manifestations, which offers a narrative of critique and a continual process of theoretical sublimation and pursuit of an ideal society free of systemic ills.

Paulo Coelho’s Eleven Minutes has viewed the Id as subservient to ideology. The study focuses on Karl Marx's concept of Ideology and the Freudian Id. In the novel, a character namely Maria has a strong Id which dominates her ideology. Her act of masturbation and feeling of erotic pleasure shows a lack of repression. She is ruled by carnality as the proletariat is ruled by the bourgeois. The present analysis aims to throw light on all erotic experiences of Maria which reveal that her ideology is subservient to the id. The researcher aims to find out that healthy repression of sexual desires distinguishes humans from animals and that an individual can become productive in society. Healthy repression converts psychic energy into artistic creation. Out of curbing eroticism, the ideology becomes operational. Consequently, culture, religion, morality and creativity are introduced and practised and society becomes balanced.

This paper brings out the Womanist perspective in Aidoo’s No Sweetness Here and Other Stories. The term ‘Womanism' encapsulates the varied dynamics of the black woman's literary experience as it distinguishes itself from the feminism of the White Woman. The predicament of women in postcolonial Ghana is the focus of Aidoo’s attention. Aidoo’s vision is historical, also. In her short stories, she explores the challenges faced by women in post-independence Ghana. In the period of transition, the African woman's identity is brought into conflict with traditions and cultural modernization. Aidoo’s predominant concern is to reflect on women’s increasing alienation in contemporary African society with the help of tradition and modernity. In Aidoo’s vision, Africa’s progress is inseparable from the social, economic,political and psychological liberation of women. No Sweetness Here and Other Stories attempts to make African women aware of their agency, which is the first step towards their liberation.

This paper offers a critique of contemporary media culture, virtual identities, and simulacra in the implosion of cultural and human values. The contemporary culture is characterized by media and virtual reality,which reduces the traditional concept of human interaction, language, and culture. The paper interprets GarryShteyngart’s Super Sad True Love Story in the light of Jameson, Baudrillard and Nicol's concepts of simulacra and media culture. Shteyngart’s novel takes the dystopic view of a consumer society where human lives are subject to social media feeds, and human subjectivity is nothing more than an algorithm of credit and ranking. In this dystopic situation, Jameson's aesthetic of cognitive mapping can help to make sense of one's subjectivity and orientation in the culture of simulation and implosion. This paper claims that dystopic simulacra produce virtual identities at the cost of human subjectivity and language, which causes cultural and social implosion.