Canadian Theatre Review (CTR) delivers critical analysis and innovative coverage of the current issues and trends in Canadian theatre. CTR Online features over 500 in-depth feature articles, thought-provoking scripts, manifestos, slideshows, videos, design portfolios, photo essays, and more. Recent issue themes have included Time's Up, Home and Away: Canadians Abroad, Gaming, and Radical Hospitalities.

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In this forum, I bring a set of five questions about dancing with land to five contemporary dance practitioners based in and around the city colonially known as Vancouver, constructed on the unceded and ancestral territories of the xʷməθkʷəjˀəm (Musqueam), Sḵwx̱wú7mesh (Squamish), and səl̓ilwətaɁɬ (Tsleil Waututh) First Nations. The artists featured include Michelle Olson of Raven Spirit Dance, Julie Lebel of Foolish Operations, Olivia C. Davies of O.Dela Arts, the OURO Collective, and Lee Su-Feh of battery opera. The questions build on my ongoing research (both academic and artistic) into the politics and kinaesthetics of site- or land-based movement. I seek to spotlight the grounded, refined, and body-based knowledge that dancers and choreographers cultivate in the articulation of their practice.

There has been one dissertation and one master's thesis in the past thirty years, but nothing published by a major press (see Barber 1984; Glover 1989). 2. For a good overview of this debate, see DeFrantz (2002, 3-35).

Canadian Theatre Review (CTR) delivers critical analysis and innovative coverage of the current issues and trends in Canadian theatre. CTR Online features over 500 in-depth feature articles, thought-provoking scripts, manifestos, slideshows, videos, design portfolios, photo essays, and more. Recent issue themes have included Time's Up, Home and Away: Canadians Abroad, Gaming, and Radical Hospitalities.