This paper explores an ongoing dialogue about Christianity in light of the recent influx of HIV and AIDS into the villages of the Gogodala of Western Province, Papua New Guinea. I argue that a suggestion by a woman in late 2004 to ‘build a wall’ around the Gogodala region in Western Province in order to stop or slow the spread of HIV/AIDS reflects a recent concern with the sustainability of this rural Christian community, referred to in English as ‘Christian country’. Understanding AIDS to be a threat posed largely from outsiders, whether Papua New Guinean or European, sections of these primarily village‐based communities aim to create both a physical and metaphorical boundary between themselves and outsiders. At present, local prevention and intervention strategies concerning HIV and AIDS focus on conservative, evangelical narratives about the preservation of the principles and practices of Christian country, through the repudiation of unrestrained sexuality, for example, which is believed to be increasingly prevalent not only in their own area but throughout urban Papua New Guinea. A growing divide between rural and urban Gogodala, then, has become a major part of the local dialogue about AIDS and represents significant contestation over the practices and ideational basis of Christian country.

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This paper explores the intersection of consumption, Christianity and the nation in Western Province, Papua New Guinea. It examines the significance of the adoption of Europeanintroduced clothing and the consumption of trade store foods like tea, tinned fish, rice, sugar and tinned milk for Gogodala communities of PNG. Although initially disgusted by the idea of consuming substances that seemed reminiscent of mother's milk, Gogodala now embrace trade store foods with enthusiasm. The paper traces the transformation of Gogodala attitudes to such products in terms of the development of a 'national culture' as well as a more globalising Christianity. It suggests that, for the Gogodala, consumption is an arena for what Foster has termed 'everyday nation making'. Yet, in this case, 'the nation' is understood and realised through a metaphoric association with Christian others, particularly Europeans. The basis of national subjectivity for the Gogodala, then, is an enduring relationship between Gogodala and expatriate Europeans.Oceania 75, 2004

This article analyses a group of Gogodala Christian women in the Western Province of Papua New Guinea who are referred to as ‘Warrior women’ and who pray, sing and call upon the Holy Spirit to cleanse their own bodies and ‘turn their eyes’, so that they are able to see those who threaten the health and well‐being of the wider community. These women have focused primarily on bringing male practitioners of magic — iwai dala — shadowy and powerful men who operate covertly and away from the gaze of others, out into the open. Whilst this has been happening for many years, the spread of HIV and AIDS into the area, fuelled by what many in the area believe is the rise of unrestrained female and male sexuality and the waning of Christian practice and principles, has meant that those perceived to bring harm to the community through their sexual behaviour have become recent targets for Warrior women. HIV/AIDS, referred to in Gogodala as melesene bininapa gite tila gi — the ‘sickness without medicine’ — is understood as a hidden sickness, one that makes its way through the community without trace until people become visibly ill. Warrior women seek to make both AIDS and those who, through their behaviour, encourage or enable its spread more visible. In the process, however, a small number of them are overcome by the Holy Spirit, so much so that they become daeledaelenapa — mad ‐ their behaviour increasingly characterised by childishness and uncontrolled sexuality.

This article explores the conjuncture of Christianity and development in light of the establishment of a new Gogodala church in Western Province, Papua New Guinea. In the paper, I examine the ways in which members of this new church, the Congregation of Evangelical Fellowship (CEF), are utilising the concept of dance to comment on the failure of both expatriate missionaries and the dominant Evangelical Church of Papua New Guinea (ECPNG) to prepare the Gogodala community for development. I trace how mission-instigated abstention from dance became emblematic of a Christian lifestyle, and remains central to the constitution and articulation of 'Christian country' in this part of PNG. The incorporation of dance into CEF services and conferences, then, posits a challenge to the expatriate mission and ECPNG. In the process, dance has become a metaphor for a communal search for development as well as a reinterpretation of the Christian and pre-contact past.