No abstract

At the Women's March in January 2018, many protest posters featured offensive jokes at the expense of Trump's body and behavior. Such posters were shared widely online, much to the amusement of the movement's supporters. Through a close analysis of posts on Instagram and Twitter, we explore the role of "vulgar" and "offensive" humor in mediated social protest. By highlighting its radical and conservative tendencies, we demonstrate how we can understand these practices of offensive humor as a contemporary expression of "the carnivalesque" that is complexly intertwined with social change.

Abstract:The "affective" turn has enabled many scholars to theorise media representations not only as texts that can be distantly decoded but also as a matter of emotional attachments, intensities of feelings, synesthetic sensations, and embodied experiences. Yet, what has been less often theorized is how this affective meaningmaking is (re)shaped by the dynamic and interactive nature of social networking systems such as Facebook or Twitter. How do images and the affective qualities that "stick" to them, travel and transform through user engagement where "users grab images and technologies by which they are grabbed in return" (Paasonen, Carnal Resonance 178;Senft 2008). We aim to explore this question further through examples of humorous images from the January 2017 Women's March, considered within the digital contexts of Facebook and Twitter. Social movement scholars argue that emotional engagement can be a powerful and positive motivating factor in getting people involved in political life, and we here suggest that these humorous images can move the reader in new critical directions, encouraging them to challenge systems of inequality and oppression in contemporary society. Keywords: online humour, affect, activism, feminismThe Women's March was an international protest event on January 21, 2017, advocating for legislation and policies on issues such as women's rights, racial equality, LGBTQ rights, immigration reform, healthcare reform, climate change, freedom of religion, and workers' rights. The rallies took place the day after President Trump's inauguration and took aim at his statements and positions that many regarded as misogynistic, racist or otherwise offensive. Protesters participated in almost 700 marches across the world, making it one of the biggest human rights demonstrations in history. Social media networks played a crucial role in the preparation, organisation and communication of this multi-sited event. Our study explores one key aspect of this communication, which was the widespread circulation of humorous feminist images from the march on Facebook and Twitter. We want to examine this practice to reflect on some of the opportunities and limitations for using digital humour to communicate political messages and struggles.By bringing critical humour studies into dialogue with contemporary scholars of affect, digital media and political communication, the article explores the affective and sensuous relationship between humorous online images of protest and social/political change. Rather than understanding these humorous images merely as a product and commodity of a new form of affective capitalism (which they are!), we suggest that they can also have the capacity to move "users" in new critical directions, encouraging them to challenge systems of inequality and oppression in contemporary society. This potentiality lies in the complex ways in which humour and the affective force of these online representations can move and touch the offline reading body.

Provoking the Citizen: Reexamining the role of TV satire in the Trump era TV satire has been commended for its ability to hold power to account and provide audiences with context and alternative perspectives to news events. Despite accolades to public discourse and journalistic integrity, TV satire is fraught with limitations including; its inability to change politics, its ability to encourage political apathy and promote a partisan logic. While this may be a counter-liberal response to the right-wing media and politicians it critiques, TV satire often preaches to a converted audience, the potential impact of which can lead to a repudiation of deliberative politics and increased political disengagement. Under the Trump Administration, America is experiencing more intensified demonstrations of partisanship and public distrust in political and media institutions. Furthermore, in a culture where satire has become reality and critical journalism has increased, its role has become problematic. By adopting a multi-method approach of content and discourse analysis this study examined whether TV satire could offer a different approach to reporting in the Trump era. The study found that TV satire is adopting solution and motivation building frames associated with advocacy journalism in an attempt to encourage audiences to engage with traditional forms of civic participation.

No abstract