The collapse of the Soviet Union had devastating consequences for the lives of its population, especially for older adults, many of whom became impoverished and were left with no social support. Using data from a survey of 2,579 elderly Jews in two of the largest countries of the former Soviet Union, Russia and Ukraine, we examine variables that affect their feeling of loneliness. Unmarried and childless elderly persons reported the highest feelings of loneliness. Married elderly persons who maintained frequent contact with their children felt least lonely. Moreover, married and unmarried elderly persons who did not maintain frequent contact with relatives or friends were lonelier than those who maintained such contact. The characteristics of social networks were significantly correlated with loneliness. The findings also showed that Jews in Ukraine had fewer social networks and felt lonelier compared to Jews in Russia.

Use of the arts in international aid is common in an ad hoc form, but it has not been systematically theorised or evaluated. The arts have the potential to be a culturally contextualised and sustainable intervention for adults and children in the aftermath of war or disaster. On the micro level, the arts are a method to enable the retrieval and reprocessing of traumatic memories that are often encoded in images rather than in words. On a macro level, they can help to reconstruct a group narrative of a disaster as well as mobilise people back into control of their lives. This paper researches a long-term project using arts in Sri Lanka following the civil war and tsunami. A central finding is the need to understand arts within their cultural context, and their usefulness in strengthening the voices and problem-solving capacities of the victims of the disaster.

This article discusses the advantages of arts-based research specifically for high-context, culturally diverse, power-infused, and chaotic or diffuse research settings as often found in international aid. It points to the ability of arts to concretize abstract concepts and to situate them within specific socio-cultural locations, enabling powerless groups to self-define and to adjust resilience-enhancing interventions to their own perceptions. The arts-based method as an indirect form of communication is shown to be effective in changing stands of power holders and experts, enabling a dialogue that creates culturally sustainable aid. The model used in this article is demonstrated and discussed.

No abstract

This is a case study of a volunteer programme in a community