Thousands of first-millennium BCE ivory carvings have been excavated from Neo-Assyrian sites in Mesopotamia (primarily Nimrud, Khorsabad, and Arslan Tash) hundreds of miles from their Levantine production contexts. At present, their specific manufacture dates and workshop localities are unknown. Relying on subjective, visual methods, scholars have grappled with their classification and regional attribution for over a century. This study combines visual approaches with machine-learning techniques to offer data-driven perspectives on the classification and attribution of this early Iron Age corpus.The study sample consisted of 162 sculptures of female figures. Among them are examples that have been conventionally attributed to three main regional carving traditions: "Phoenician," "North Syrian," "Syrian/South Syrian/Intermediate". We have developed an algorithm that clusters the ivories based on a combination of descriptive and anthropometric data. The resulting categories, which are based on purely statistical criteria, show good agreement with conventional art historical classifications, while revealing new perspectives, especially with regard to the contested "Syrian/South Syrian/Intermediate" tradition. Specifically, we have identified that objects of the Syrian/South Syrian/Intermediate tradition may be more closely related to Phoenician objects than to North Syrian objects; we offer a reconsideration of a subset of "Phoenician" objects, and we confirm Syrian/South Syrian/Intermediate stylistic subgroups that might distinguish networks of acquisition among the sites of Nimrud, Khorsabad, Arslan Tash and the Levant. We have also identified which features are most significant in our cluster assignments and might thereby be most diagnostic of regional carving traditions. In short, our 2 study both corroborates traditional visual classification methods and demonstrates how machinelearning techniques may be employed to reveal complementary information not accessible through the exclusively visual analysis of an archaeological corpus.

This article presents a study of the deposition of jewellery on bodies in the third-millennium bc Mesopotamian ‘Royal Cemetery’ at Ur. Four assemblages of adornments are identified and evaluated in relation to burial type, gender, age, privilege, and behavioural role. Aspects of the social and ritual identities of the dead are then interpreted through adornment. While the historic definition of the interred community and the precise nature of their practices are open to speculation, this study begins to clarify dynamics of group and individual identity at this site of human sacrifice.

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